{"product_id":"les-cavaliers-blancs-by-erte","title":"Les cavaliers blancs by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLes cavaliers blancs\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed “No. 18.388” (en verso)\u003cbr\u003e Gouache paper \u003cbr\u003e\u003cbr\u003e Erte's stunning costume design for the adaptation of \u003cem\u003eLa Reine Margot\u003c\/em\u003e, based on Alexandre Dumas' 1845 historical novel, is a masterclass in visual storytelling. Entitled \u003cem\u003eLes cavaliers blancs\u003c\/em\u003e, this costume portrays a cavalier from 16th-century France, an era deeply influenced by religious conflict and political scheming. Elegantly decked in golden shoes and white tights, the costume is highlighted by striped short pantaloons and matching gold and white billowing sleeves. The pièce de résistance is the chic gold over white geometric vest that evokes the grandeur of peacock feathers unfurling, seamlessly leading to an Elizabethan ruff collar. To complete this sartorial spectacle, a billowing white feather headpiece adds a whimsical flourish. \u003cbr\u003e\u003cbr\u003e Erté's costume for \u003cem\u003eLes cavaliers blancs\u003c\/em\u003e encapsulates the essence of a period marked by political intrigue, forbidden romances and Machiavellian tactics, as experienced by the main characters of the play, Marguerite, or Margo, de Valois and Henri de Navarre. Margot's transformation from a political pawn to an empowered woman, and Henri's precarious ascent to the throne are tales wrapped in opulence and peril, easily enjoyed by Erté's 20th-century audience. In capturing the spirit and detail of both the 16th-century French court and the Art Deco movement, Erte's design is a marvel of visual delight.  \u003cbr\u003e\u003cbr\u003e The captivating alliance between the Erté and the flourishing performing arts scene of Paris transported audiences to new realms throughout the early 20th century. Erté quickly forged relationships with luminaries of the performing arts world — including Zizi Jeanmaire, Roland Petit and Misinguett — and leant his distinctive Art Deco vision to operatic and theater productions. These collaborations rose above mere aesthetic embellishments, penetrating to the core of performances and adding greater depth to the narratives on display. The artist possessed a great range of vision and was equally adept at capturing Rococo decadence in the sets of \u003cem\u003eCosi Fan Tutte\u003c\/em\u003e as he was in creating supernatural, moody interiors for \u003cem\u003eLes Mamelles de Tirésias\u003c\/em\u003e. His Art Deco stylings brought both a fantasy and modernity to the stage that has rarely been matched since. Parrying the spectacle of these fantastical productions, fashion grew more opulent, with luxury canes, pocketwatches and compacts becoming essentials for a modern Parisian. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1974 \u003cbr\u003e\u003cbr\u003e Paper: 14 1\/4\" high x 10 1\/2” wide\u003cbr\u003e Frame: 20 3\/4\" high x 16 7\/8\" wide x 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Roland Petit et Zizi Jeanmaire, Paris\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e Musée Rath, Genève, \u003cem\u003eZizi Jeanmaire – Roland Petit. Un patrimoine pour la danse\u003c\/em\u003e, April -August 2007\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51803583775042,"sku":null,"price":19850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-7701_1_0c25096b-0f08-4ec7-a9d4-3a10ee48dd91.png?v=1768103812","url":"https:\/\/www.bullvendors19.com\/de\/products\/les-cavaliers-blancs-by-erte","provider":"Bull Vendors 19","version":"1.0","type":"link"}