{"title":"Luxury Antiques \u0026 Collectables","description":"\u003cp\u003e\u003cstrong\u003eLuxury Antiques \u0026amp; Collectables\u003c\/strong\u003e\u003c\/p\u003e","products":[{"product_id":"grand-ducal-pietre-dure-console-tables","title":"Grand Ducal Pietre Dure Console Tables","description":"Among the most beautiful examples of hardstone artistry that have ever entered our collection, these important Grand Ducal pietre dure console tables are in a class all their own. Their powerful architectural elegance, impressive size and rarity make them two of the finest hardstone masterpieces ever created and quite possibly the greatest pair of pietre dure tables in existence. \u003cbr\u003e\u003cbr\u003e With their naturalistically rendered flowers and birds, these tabletop panels showcase the particularly fine quality craftsmanship of the Grand Ducal workshops in Florence during the first quarter of the 17th century. Grand Duke Ferdinando I de Medici, one of the most important personages in the annals of art history, established the Grand Ducal Workshop in 1588. The workshop specialized in the art of pietre dure developed from the ancient art of \u003cem\u003eopus sectile\u003c\/em\u003e, giving rise to the most luxurious and detailed examples of hardstone artistry ever produced. Its patrons were the Popes and Royals of Europe, and the quality of the objects produced in the workshop is without equal. Typically, because of the high level of workmanship the art form requires, pietre dure plaques were crafted in small sizes. The great majority of known examples of pietre dure are a fraction of the size of our grand tables. The combination of pietre dure and extensive use of other rare decorative hardstones such as lapis lazuli and pietra paesina or “ruin marble” meant that these tabletops were surely produced for a wealthy collector.  \u003cbr\u003e\u003cbr\u003e The tables are further distinguished by their superbly carved bases by Andrea Brustolon, known as the “Michelangelo of wood.” Brustolon was a Venetian wood sculptor known for his exuberant and intricate Baroque furniture. His high Baroque style was influenced by his years studying in Rome, where he was exposed to the sculpture of Gian Lorenzo Bernini. Crafted in the early 18th century, these bases display Brusolon’s unmatched talent for both figural and foliate work, combining cupids, masks and oversized scrolling vines for a grand, ornate effect. Similar furnishings by Brustolon are held in museums worldwide, including the \u003ca href=\"https:\/\/rauantiques.my.salesforce.com\/sfc\/p\/A0000000JY02\/a\/8X000000MmIc\/hATOPMj3vvix4aSxXpzENGf7Wzsj31QRDHUqn0WI2q0\" target=\"_blank\"\u003eVictoria \u0026amp; Albert Museum, the National Museum of Scotland and the Metropolitan Museum of Art\u003c\/a\u003e, while the \u003ca href=\"https:\/\/rauantiques.my.salesforce.com\/sfc\/p\/A0000000JY02\/a\/8X000000MmGK\/pi4g67_lTMUCO_HZOtN9.urGr0VumK1SicrNHEyVE70\" target=\"_blank\"\u003eCa' Rezzonico Museum\u003c\/a\u003e in Venice features an entire room dedicated to the sculptor. \u003cbr\u003e\u003cbr\u003e For approximately 250 years, these tables were part of the famed Stoneleigh Abbey collection owned by the Lord Leigh family. This renowned English country estate inspired Jane Austen to write Mansfield Park. Lord Leigh eventually sold the tables at Christie’s London in 1962, and the pair have stayed in the collection of the same Florentine family who purchased them from Christie's until we recently acquired them. \u003cbr\u003e\u003cbr\u003e Our tables are prominently pictured in the important \u003ca href=\"https:\/\/rauantiques.my.salesforce.com\/sfc\/p\/A0000000JY02\/a\/8X000000Mlwj\/SnYKYtJOxkQjno_2LYbtxflCiHCpMR5MEW7Mge.lVVs\" target=\"_blank\"\u003eSaul Levy book\u003c\/a\u003e Il Mobile Veneziano del Settencento. The pietre dure plaques date circa 1625-1650. The decorative tops likely would have originally been sold with a pair of plain stone columns to display them, and Lord Leigh would have commissioned the custom bases from Brustolon circa 1714 when he added the impressive four-story fifteen-bay Baroque West Wing to Stoneleigh Abbey. \u003cbr\u003e\u003cbr\u003e A similar single Grand Ducal tabletop is in the United Kingdom’s \u003ca href=\"https:\/\/rauantiques.my.salesforce.com\/sfc\/p\/A0000000JY02\/a\/8X000000Mm9x\/wVCGXH9l4t2lELOxw.Jtdy_bdrUGlALc0DGJG3SIrZc\" target=\"_blank\"\u003eNational Trust Collection\u003c\/a\u003e, and a smaller tabletop resides in \u003ca href=\"https:\/\/rauantiques.my.salesforce.com\/sfc\/p\/A0000000JY02\/a\/8X000000MmHX\/5DAxJGhxQkg_NFTfjITvBYqJQ82GWykmWABYTM8z0II\" target=\"_blank\"\u003eBuckingham Palace\u003c\/a\u003e. The flower and bird panels in our examples relate to the famous Badminton Cabinet, also crafted in the Grand Ducal workshops. The Badminton Cabinet became the highest-priced piece of furniture to ever sell at auction in 1990 when it sold for $16.59 million. It again set the record in December 2004, this time for $36 million, meaning it simultaneously held both the first and second place records for the highest auction prices ever for any pieces of furniture. To find a pair of objects featuring this level of artistry in hardstone and wood carving, crafted by such notable artisans, of such size and intricacy, that also hail from a titled estate is nothing short of spectacular. \u003cbr\u003e\u003cbr\u003e Pietre dure tops: circa 1625-1650\u003cbr\u003e Bases: circa 1714 \u003cbr\u003e\u003cbr\u003e Each table 61 1\/4\" wide x 39\" deep x 36\" high \n","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796848804162,"sku":null,"price":3450000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-5217_1.png?v=1768059805"},{"product_id":"hadrians-villa-mosaic-table","title":"Hadrian's Villa Mosaic Table","description":"Hadrian's Villa Mosaic Table\u003cbr\u003e 118-134 CE | Roman \u003cbr\u003e\u003cbr\u003e Mosaic tabletop with later gilt wood base \u003cbr\u003e\u003cbr\u003e This extraordinary mosaic table from Hadrian's Villa stands as one of antiquity's most important surviving treasures, representing the ultimate convergence of imperial Roman grandeur and archaeological significance. Excavated from the legendary complex that housed Rome's greatest artworks, this magnificent piece bears the distinction of being walked upon by Roman emperors. \u003cbr\u003e\u003cbr\u003e The mosaic's intricate geometric patterns showcase the supreme artistry of Roman craftsmen, featuring meticulously arranged tesserae that create a mesmerizing interplay of earth tones and geometric precision. Bordered by bands of varied marble, including precious verde antico, the composition displays repeating diamond and square motifs that demonstrate the mathematical sophistication of imperial Roman design. The later addition of its sumptuous gilt wood base elevates the ancient mosaic with neoclassical grandeur, featuring fluted columns, acanthus leaf capitals and elaborate carved moldings that perfectly complement the Roman aesthetic. \u003cbr\u003e\u003cbr\u003e Hadrian's Villa, constructed between 118 and 134 CE, represented the pinnacle of Roman imperial achievement and served as the private retreat of one of history's most cultured emperors. Emperor Hadrian, who reigned from 117 to 138 CE, was a philosopher, poet, architect and military strategist whose villa covered an area larger than Pompeii and housed antiquity's most irreplaceable artworks. The villa's rediscovery in 1461 marked the Renaissance period's most significant archaeological find, though large-scale excavation didn't begin until Cardinal Giuseppe Alessandro Furietti's groundbreaking work in 1736-1738. Cardinal Furietti, both scholar and connoisseur, transformed several of the villa's most celebrated mosaic floor fragments into tabletops, documenting his designs in his seminal work \u003cem\u003eDe Musivis\u003c\/em\u003e (1752), where this very mosaic appears in Plate IV. Following the Cardinal's death, his heirs sold tables from his estate, which were acquired in 1765 by the renowned English architect Robert Adam, who added the elaborate gilt bases before placing them in Britain's most important homes, including Castle Howard, Holkham Hall and Syon House. Today, some examples reside in important museum collections, including the Victoria \u0026amp; Albert Museum. \u003cbr\u003e\u003cbr\u003e Circa 118-134 CE with later gilt base \u003cbr\u003e\u003cbr\u003e 53 1\/4\" long x 27\" wide x 34\" high (135.26 x 68.58 x 86.36 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Hadrian’s Villa, Tivoli, Rome, excavated between 1736-1738 by Cardinal Furietti\u003cbr\u003e Private collection, England\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796851360066,"sku":null,"price":1250000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/32-0924_1_887bab97-49e7-405b-8cc7-c82da8fac04a.png?v=1768059811"},{"product_id":"silver-gilt-exhibition-tea-table-by-maison-aucoc","title":"Silver-Gilt Exhibition Tea Table by Maison Aucoc","description":"Silver-Gilt Tea Table\u003cbr\u003e Maison Aucoc\u003cbr\u003e Circa 1904 \u003cbr\u003e\u003cbr\u003e The turn of the century was the golden age of the great international exhibitions, the venues at which artisans from across the globe would showcase their absolute best creations for the world to see. The items on display were often the finest examples of science and art ever created, as the sheer number of visitors provided the unique opportunity for artists to display the very best they had to offer. This incredible silver-gilt tea table is one such masterpiece, exhibited at not one but two international exhibitions. Created especially for the 1904 St. Louis International Exposition and later exhibited at the Exposition de Liège in 1905, its artistry and craftsmanship rival those of silver works found in any museum in the world. \u003cbr\u003e\u003cbr\u003e The one-of-a-kind table was created by the renowned Paris firm of Maison Aucoc, one of the leading goldsmiths and jewelers of the Second Empire and Art Nouveau movements. This tea table, along with the vermeil tea set that it once held, was the sole contribution of the firm to the St. Louis Exposition. It is clear from both its materials and its exceptional level of detail that Aucoc succeeded in making something worthy of this international stage—the judges agreed, as the set won him a Grand Prize. It can be counted among the firm’s masterpieces and is undoubtedly one of the most significant exhibition objects to have ever come on the market. \u003cbr\u003e\u003cbr\u003e This table was crafted with both luxury and grandeur in mind. Unlike almost all other tables from this period that were crafted from gilt bronze, this particular example stands apart as one of the select few made from 95% pure silver—the highest standard in the world. Crafted in the Empire style, it is a tour de force of silver design. Palmettes and rosettes encircle the circular top, which is inset with a solid specimen of green marble. A capital column resting on acanthus leaves supports it at the center, while three winged women terminating in lion’s claws support the outer edges.  \u003cbr\u003e\u003cbr\u003e While the designs for Aucoc’s tea set were inspired by drawings by the great French designer Charles Percier, this table almost certainly took its inspiration from the gilt-bronze mounted furniture of the firm Thomire Duterme et Cie. Led by the great sculptor Pierre-Philippe Thomire, the firm was the preeminent Parisian gilt metal manufacturer of the early 19th century, patronized by Napoléon, King George IV and other royals from around the world. A gilt-bronze mounted malachite table made by Thomire for the Russian Prince Demidoff in 1819, now found in the Pitti Palace (Florence), is supported by similar acanthus-draped winged female torsi as are found in the present table. Aucoc specialized in works that looked back to the great designers of the First Empire, evoking the elegance of a bygone era. \u003cbr\u003e\u003cbr\u003e The Maison Aucoc was founded in 1821 by Louis Aucoc Aine as a silversmithing business at 154 Rue St. Honoré in Paris. In 1835, the business moved to Rue de la Paix, and in 1854, he retired and left his son Louis Aucoc in charge of the family firm. During his tenure, Aucoc added jewelry manufacturing to the already successful silver business with great success. The 1870s proved to be a time of great expansion for the company. Aucoc purchased the Maison Lobojois and consolidated both businesses to create La Maison Aucoc, where the legendary René Lalique apprenticed. Aucoc participated in the major international exhibitions of the day with some of the firm's grandest furniture and jewelry creations.  \u003cbr\u003e\u003cbr\u003e This table was undoubtedly one of the firm’s greatest exhibition contributions. As G. Henry stated in his overview of the St. Louis exposition: “The set will remain one of the most interesting documents of the French Goldsmith of our time and is a great honour to Mr. Aucoc, confirming once again his talent appreciated by the member of the jury who unanimously awarded him the Grand Prize.” \u003cbr\u003e\u003cbr\u003e Signed “Andre AUCOC Paris” and hallmarked for .950 standard silver \u003cbr\u003e\u003cbr\u003e Circa 1904 \u003cbr\u003e\u003cbr\u003e 39 3\/8” diameter x 36” high \u003cbr\u003e\u003cbr\u003e References:\u003cbr\u003e \u003cem\u003eExposition Internationale de Saint Louis (U.S.A) 1904. Section Française. Rapport des Groupes 30 [Orfèvrerie] et 29 [Coutellerie]\u003c\/em\u003e, Paris, 1905, by G. Henry, p. 21, ill. p. 19 \u003cbr\u003e \u003cem\u003eLe Livre d’Or de L’Exposition Universelle et Internationale de 1905\u003c\/em\u003e, Paris, 1905, by G. Drèze, pp. 629-30\u003cbr\u003e “L’Exposition de Liège,” \u003cem\u003eLa Quinzaine Revue Littéraire, Artistique et Scientifique\u003c\/em\u003e, Vol. LXVIII, Paris, 1906, p. 117\u003cbr\u003e \u003cem\u003eL’Art Français depuis Vingt Ans: Le Travail du Métal\u003c\/em\u003e, Paris, 1921, p. 66","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796857553218,"sku":null,"price":985000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/30-9238_1.png?v=1768059816"},{"product_id":"francis-i-renaissance-sideboard","title":"Francis I Renaissance Sideboard","description":"This astonishing 16th-century dressoir, or sideboard, was crafted in Lyon during the height of the French Renaissance. It is one of just three known examples of its kind and the only not presently held in a museum collection. It was originally one of a pair, and its mate is a prized possession of the famed \u003ca href=\"https:\/\/rauantiques.my.salesforce.com\/sfc\/p\/A0000000JY02\/a\/8X000000MoTs\/vxkOeRhbDs6VHWh_LTUiTDvGZhQRD6xFFIfl3cPAQRs\" target=\"_blank\"\u003eFrick Collection in New York\u003c\/a\u003e; a third smaller cabinet can be found in the Victoria and Albert Museum (London). \u003cbr\u003e\u003cbr\u003e Masterfully executed, the dressoir's exterior is crafted entirely of rich walnut, with a sturdy oak interior. The elaborate carvings offer a visual compendium of the decorative motifs found in the art of the French Renaissance, from satyrs and harpies to female terms and masks, as well as decorative strapwork. First emerging at the court of Francis I in the 1530s, this style became increasingly playful over the decades, as demonstrated by the charming and whimsical design of this dressoir. In terms of craftsmanship and quality, it remains in impeccable condition, considering it was crafted over 425 years ago.  \u003cbr\u003e\u003cbr\u003e Paperwork in the Frick Collection archives lends insight into the history of the sideboard, as well as its mate. The matching dressoir was purchased by the legendary Henry Clay Frick and first reappeared in 1855 in a restorer’s workshop in Marseilles. The two sideboards were almost certainly still a pair at that time, and both likely underwent expert restoration. After restoration, the present dressoir disappeared - due to the relatively small size of homes during this era, many such pairs were split and sold as individual pieces of furniture.  \u003cbr\u003e\u003cbr\u003e The Frick’s dressoir entered a significant collection in Europe, where it was later bought by famed English dealer Sir Joseph Duveen. This collection of furnishings reportedly cost Duveen $1,500,000, and his purchase was reported by every major newspaper in the Western world. The star of the collection was the “16th-century cabinet,” and Duveen brought it to New York for Mr. Frick’s approval. Frick was immediately enamored with the piece and paid an incredible $110,000 for it in 1917. That price places the Frick dressoir among the most expensive pieces of furniture ever to sell in the history of the world. \u003cbr\u003e\u003cbr\u003e To find the mate to such an important and spectacular piece of furniture, particularly in such excellent condition, is truly a once-in-a-lifetime discovery. This dressoir is the absolute rarest, most important piece of furniture on the market today.  \u003cbr\u003e\u003cbr\u003e Circa 1575 \u003cbr\u003e\u003cbr\u003e 71 3\/4” wide x 23 1\/2” deep x 65 3\/8” high \u003cbr\u003e\u003cbr\u003e References:\u003cbr\u003e \u003cem\u003eThe Encyclopedia of Furniture,\u003c\/em\u003e 1965, Joseph Aronson \u003cem\u003eWorld Furniture,\u003c\/em\u003e 1988, Helena Hayward \u003cem\u003eFurniture in The Frick Collection: Italian and French Renaissance, French 18th and 19th Centuries, Volume V,\u003c\/em\u003e 1992, The Frick Collection \u003cem\u003eLe Meuble en France au XVI Siecle,\u003c\/em\u003e 1923, Edmond Bonnaffé \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/youtu.be\/GML1fTiDORc\" target=\"_blank\"\u003eClick here to view a video of this item.\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private Collection, Connecticut\u003cbr\u003e M.S. Rau, New Orleans\u003cbr\u003e Private Collection, Wyoming\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796866531650,"sku":null,"price":985000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-4584_1.png?v=1768059822"},{"product_id":"egyptian-empire-bedroom-suite","title":"Egyptian Empire Bedroom Suite","description":"This extraordinary mahogany and mercury-gilded bronze bedroom suite was almost certainly once owned by 19th-century Egyptian royalty. Luxuriously decorated in the Empire style, this important set was crafted by one of the premier Parisian ébénistes of the 19th century, Antoine Krieger (1804-1869). The seven-piece suite comprises a queen-size bed, secrétaire à abattant (drop-front secretary) with a satinwood interior, cheval mirror with side tables, two-door cabinet, vanity and two nightstands. The abattant, tables of the cheval mirror, cabinet and nightstands are all fitted with beautiful green marble tops. \u003cbr\u003e\u003cbr\u003e Each piece is phenomenal and was crafted with extraordinary expertise. Most notable are the superior bronze mounts. Inspired by the style created to glorify Emperor Napoleon, the decorative Empire elements radiate royalty, power and elegance. Bronze legs of winged creatures support the vanity and nightstand while the secretary and cabinet rest on large bronze paw feet. Urns, swags and a variety of mythological creatures are all cast and gilded to the finest degree. \u003cbr\u003e\u003cbr\u003e Antoine Krieger took his inspiration for this set from the furnishings of Malmaison, one of Napoleon and Josephine's Parisian palaces. A similar bedroom suite was acquired by circus magnate John Ringling to adorn his bedroom at Ca d'Zan, now part of the John and Mable Ringling Museum of Art in Sarasota, Florida. \u003cbr\u003e\u003cbr\u003e Circa 1860 \u003cbr\u003e\u003cbr\u003e Measurements:\u003cbr\u003e Bed: 65\" wide x 86\" long x 62 1\/2\" high:\u003cbr\u003e Cabinet: 62\" wide x 23 1\/2\" deep x 41 1\/2\" high:\u003cbr\u003e Cheval mirror: 72\" wide x 20 1\/2\" deep x 80\" high:\u003cbr\u003e Secrétaire à abattant: 46\" wide x 20\" deep x 60\" high:\u003cbr\u003e Vanity: 54\" wide x 27\" deep x 66\" high:\u003cbr\u003e Nightstands: 19 1\/4\" square x 34 1\/2\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796870988098,"sku":null,"price":788000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/29-5791_1_ea050718-3aa4-4ac1-9593-af8b47003777.png?v=1768059827"},{"product_id":"the-royal-boulle-marquetry-commode-by-blake","title":"The Royal Boulle Marquetry Commode by Blake","description":"This monumental Boulle commode was crafted by Robert Blake, one of the finest and most important English cabinetmakers of his time. It is modeled after the legendary pair of commodes made for France’s King Louis XIV by master ébéniste André-Charles Boulle, which is perhaps the most famous and esteemed of all the treasures now housed at the Palace of Versailles. Constructed of ebony and enveloped on all sides with phenomenal tortoiseshell and doré bronze marquetry and ormolu mounts of undeniable skill and artistry, this commode is the pinnacle of furniture craftsmanship. \u003cbr\u003e\u003cbr\u003e The original commodes made by Boulle inspired re-interpretations by history’s most esteemed craftsmen. First created and supplied in 1708 by Boulle for Louis XIV’s bed chamber at Versailles, the original pair was one of only four furnishings deemed worthy enough to be rescued from both destruction and sale after the French Revolution. They were placed in the Bibliothèque Mazarine at the Institut de France, where they became known as the Mazarine Commodes, but have since been returned to Versailles.  \u003cbr\u003e\u003cbr\u003e The commode’s top features a striking example of rare Campan marble, sourced from quarries in the French Pyrenees. This exceptional stone exhibits a refined blend of green, pink, red and white veining—distinguished by its subtler red tones compared to Italian varieties. Reflecting Boulle’s masterful innovation, the marble top is designed to be removable, resting securely within a slightly recessed edge on the wooden frame. This meticulous construction ensures stability without the use of glue, preserving the integrity of the piece. \u003cbr\u003e\u003cbr\u003e The Blake family of cabinet makers was known for their breathtakingly executed Boulle-style marquetry. Blake’s signed works are housed in the Victoria \u0026amp; Albert Museum, the Metropolitan Museum of Art and the Frick Collection, at which one of the few similar pairs of commodes signed by Blake resides. \u003cbr\u003e\u003cbr\u003e Signed Blake London inside a winged sphinx \u003cbr\u003e\u003cbr\u003e Circa 1850 \u003cbr\u003e\u003cbr\u003e 35“ high x 47 1\/2” wide x 24“ deep (88.90 x 120.65 x 60.96 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Important French Estate\u003cbr\u003e Private Collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796875051330,"sku":null,"price":398500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-6676_1.png?v=1768059830"},{"product_id":"king-george-i-ambassadorial-secretaire-cabinet","title":"King George I Ambassadorial Secrétaire-Cabinet","description":"This highly important secrétaire-cabinet was crafted for and specially ordered by King George I for the British Ambassador to Russia. From its craftsmanship and materials to its exceptional artistry, it is a work of royal and historic significance that exudes power in each and every detail. The broken pediment at its apex features the simplified royal coat of arms bearing the king’s crown, while the interior is adorned by portraits of the British Royal Family. Placed within the ambassador’s St. Petersburg home, this entirely unique piece of furniture would have been a potent reminder of England's grandeur and political importance. \u003cbr\u003e\u003cbr\u003e Relations between England and Russia during this period were at an all-time high. Peter the Great had traveled to England in 1698 as part of his widely known “Grand Embassy” tour, wherein he attempted to gain foreign support against the Ottoman Empire. He spent a period of nearly four months there, meeting with King William III and his court on numerous occasions. Noted academic Arthur MacGregor wrote concerning the impact of the trip, “For two decades following Peter's visit, British influence in Russia reached a peak. It manifested itself in social custom, in craft practice and in ships and naval organization... it reached a significant sector of the population before relations cooled once again and the two nations pulled back from this era of unprecedented cordiality.” \u003cbr\u003e\u003cbr\u003e First and foremost, however, it is a reminder of British might and influence. By the reign of King George I, England had come into its own as a world power. Unique in its design, this cabinet is a reflection of the country’s might. It is crafted from the highest-quality solid walnut and burr walnut adorned by gilded lock plates and engraved hinges. The presence of ormolu at its apex and lining the doors was a rarity for this period, and its addition makes manifest the importance of the design.  \u003cbr\u003e\u003cbr\u003e The outer doors open to reveal multiple interiors, including fifteen separate drawers around a central cupboard; the cupboard doors each bear mezzotint portraits of George I and his father, Ernest Augustus, Elector of Hanover. An etching after the portrait of George I dating to circa 1716 is in London’s Royal Academy. A second, inner pair of doors are adorned by mezzotints of the Prince and Princess of Wales (later Queen Caroline and George II), which are both after portraits by Sir Godfrey Kneller dated 1716 in the Royal Collection. A final portrait is revealed on the very interior of the cabinet, where a mezzotint of Frederick, Anne, Amelia and Caroline, children of the Prince of Wales, resides. An etching (circa 1715-1720) after this portrait can be found in the National Portrait Gallery (London). \u003cbr\u003e\u003cbr\u003e Apart from its abundance of royal portraiture, the cabinet features stunning painted decoration, including floral designs as well as clouds, birds and trees in a bucolic motif reminiscent of Eden. Its lower portion is a study in both form and function, featuring a fitted secrétaire-drawer above three additional drawers for storage. The cabinet appears in \u003cem\u003eThe Shorter Dictionary of English Furniture\u003c\/em\u003e by R. Edwards from 1964, a text that is regarded as the bible of British furniture design. Edwards describes it as a “writing cabinet...given by George I to the British Ambassador at the Russian court.” \u003cbr\u003e\u003cbr\u003e The cabinet was likely made for the 18th-century German diplomat and writer Friedrich Christian Weber, who represented English interests at the Russian court from 1714 until 1719. Although Weber’s tenure as ambassador was relatively short, while in St. Petersburg, he authored his account entitled \u003cem\u003eDas veraenderte Russland (The Present State of Russia)\u003c\/em\u003e, which was published in three volumes in 1721, 1739 and 1740. It may, however, also have been made for George Douglas, 2nd Earl of Dumbarton, who served as ambassador alongside Weber in 1716. Diplomatic relations ceased between the two countries in 1721. \u003cbr\u003e\u003cbr\u003e In 1928, the cabinet appeared for sale at the International Exhibition of Antiques \u0026amp; Works of Art in Olympia. It had previously been in the collection of the Woltner family of Bordeaux, the celebrated vintners who owned the estate Château Laville Haut-Brion and produced wine of the same name. According to the family, Monsieur Woltner was given the cabinet as a gift from an aunt who lived in Russia for many years. After leaving the Woltner collection, the cabinet was acquired by William Berry, 1st Viscount Camrose, a Welsh newspaper publisher of significance. \u003cbr\u003e\u003cbr\u003e Circa 1716-1721 \u003cbr\u003e\u003cbr\u003e 42 1\/4\" wide x 21\" deep x 89 3\/4\" high \u003cbr\u003e\u003cbr\u003e References:\u003cbr\u003e \u003cem\u003eThe Dictionary of English Furniture\u003c\/em\u003e, London, rev. ed., 1954, by P. Macquoid and R. Edwards, vol. 1, p.141, fig 41\u003cbr\u003e \u003cem\u003eThe Shorter Dictionary of English Furniture\u003c\/em\u003e, London,1 964, by R. Edwards, p.79, fig 25 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Gifted by King George I to the Ministers Resident (Ambassador) to Russia\u003cbr\u003e Monsieur Woltner, Château Haut Brion, Bordeaux, France\u003cbr\u003e Edwards \u0026amp; Sons, 157 Regent Street, London\u003cbr\u003e Sold at the International Exhibition of Antiques \u0026amp; Works of Art, Olympia, 1928\u003cbr\u003e William Berry, 1st Viscount Camrose (d.1954)\u003cbr\u003e Thence by descent\u003cbr\u003e Private collection\u003cbr\u003e M.S. Rau, New Orleans, 2003\u003cbr\u003e Private collection, Ohio\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796881015106,"sku":null,"price":348500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-3643_1_5d94e1c9-2964-4949-80ac-98908f4df86b.png?v=1768059837"},{"product_id":"expanding-jupe-dining-table-by-johnstone-and-jeanes","title":"Expanding Jupe Dining Table by Johnstone and Jeanes","description":"This exceptionally rare circular expanding dining table was designed by Robert Jupe and crafted by the English cabinetmakers Johnstone \u0026amp; Jeanes, successors to Johnstone, Jupe \u0026amp; Co. One of only a handful known from the firm, this table illustrates the Victorian era's quest to combine technical innovation with superb and beautiful craftsmanship. Complete with its original leaves, the table’s circular top is formed from eight separate segments. When the top is rotated, an ingenious swivel mechanism causes the sections to diverge, allowing a set of small or large leaves to be inserted for an adjustable increase in size. \u003cbr\u003e\u003cbr\u003e The design for the table was patented by Robert Jupe in 1835, who had envisioned “an improved expanding table so constructed that the sections composing its surface may be caused to diverge from a common center and that the spaces caused thereby may be filled up by inserting leaves or filling pieces.” The first of these fascinating tables were created between 1835 and 1840 during his partnership with John Johnstone and their firm of Johnstone, Jupe \u0026amp; Co. in London. Jupe left the company in 1840, after which the firm changed its name due to a new partnership and became Johnstone \u0026amp; Jeanes. The firm would eventually achieve international fame for its remarkable designs, exhibiting a \"circular table...made on the expanding principle\" like this one at the Great Exhibition of 1851. \u003cbr\u003e\u003cbr\u003e Jupe was not alone in his fascination with combining the technical merits of engineering and mechanics with the more artful pursuit of cabinet making. The first half of the 19th century saw a prolific increase in the popularity of applying new ideas to furniture principles, which allowed furniture to serve many purposes. The resulting “patent” furniture was practical and refined, although none so much as this remarkable and quite stunning table which is equally suited for intimate gatherings or large, formal dinners. \u003cbr\u003e\u003cbr\u003e Features brass Johnstone \u0026amp; Jeanes plaque \u003cbr\u003e\u003cbr\u003e Circa 1850 \u003cbr\u003e\u003cbr\u003e 65\" diameter x 29 3\/4\" high\u003cbr\u003e 93\" diameter when fully expanded \n","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796889600322,"sku":null,"price":288500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-2887_1.png?v=1768059841"},{"product_id":"exhibition-satinwood-sideboard-by-wright-and-mansfield","title":"Exhibition Satinwood Sideboard by Wright and Mansfield","description":"This extraordinary sideboard is attributed to the famed Wright and Mansfield and was almost certainly created specifically for the important 19th-century international exhibitions. Satinwood, ebony, marble and doré bronze of superior quality are combined with a classical theme culminating in this neoclassical masterpiece. The 19th century marked an era dominated by significant global exhibitions, prompting artisans from diverse fields to push their creative boundaries in crafting exceptionally beautiful and pioneering works. These masterpieces were showcased before an international audience, frequently graced by nobility and royalty from various corners of the globe. The pinnacle of the firm's craftsmanship and artistry, this exquisite sideboard would certainly have been a showpiece for Wright and Mansfield. \u003cbr\u003e\u003cbr\u003e Wright and Mansfield was an important and prominent Victorian firm that produced many of the finest pieces of English furniture ever made. They served as Cabinetmakers to Queen Victoria, and several of their pieces are housed and on display at the Victoria and Albert Museum in London. Widely recognized for their superb craftsmanship and innovative designs, they received acclaim for their works exhibited in the 1862 London International Exhibition, the 1867 Paris Exposition Universelle and the 1876 Philadelphia World's Fair, where they exhibited a similar cabinet. In fact, they won the only gold medal awarded for British Furniture at the 1867 Paris Exhibition. The intricate inlay displayed on this side cabinet is the work of an exceptionally accomplished artisan. In terms of workmanship, materials and design, the exhibition sideboard is a work of art. \u003cbr\u003e\u003cbr\u003e This sideboard is pictured in two well-known books regarding antiques including \u003cem\u003eThe Antiques Buyer\u003c\/em\u003e by David Dickinson, page 169, and \u003cem\u003eHistory of Furniture\u003c\/em\u003e by Michael Huntley, page 182. \u003cbr\u003e\u003cbr\u003e Circa 1860 \u003cbr\u003e\u003cbr\u003e 71\" wide x 21\" deep x 86 1\/2\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796896776514,"sku":null,"price":285000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/29-0059_1.png?v=1768059846"},{"product_id":"english-regency-mahogany-pedestal-dining-table","title":"English Regency Mahogany Pedestal Dining Table","description":"Stately and versatile, this exceptional and rare Regency period pedestal dining table measures over 30 feet in length when fully extended. Locking in place with the help of brass joiners, seven pedestal tables and six removable leaves provide seating for as many as 32 guests. When separated, each pedestal is designed to serve as a single table, perfect for a range of use and room layouts.  \u003cbr\u003e\u003cbr\u003e The table's functionality is made possible by its superb craftsmanship and proportional design. Each piece is crafted of solid mahogany that displays uniformity in the depth and color of its veneer. As indicated by its consistent grain, the wood was almost certainly taken from a single tree. \u003cbr\u003e\u003cbr\u003e The rectangular top is perfectly flat, which, in addition to the original honey-toned wax polish finish, makes the surface highly reflective. The brass hardware is all hand-made, from the solid brass casters and pedestal caps to the loper finials and leaf latches. Exceptionally grand in both form and function, this commanding table hearkens to a time when fine dining was the pinnacle of luxury. \u003cbr\u003e\u003cbr\u003e Circa 1820 \u003cbr\u003e\u003cbr\u003e 29 1\/4\" high x 64\" wide x 362\" length","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796908802370,"sku":null,"price":275000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/29-1347_1.png?v=1768059852"},{"product_id":"blue-john-table","title":"Blue John Table","description":"Blue John Table\u003cbr\u003e Circa 1840 \u003cbr\u003e\u003cbr\u003e This extraordinary table is among the finest examples of rare Blue John plateaus in a single continuous slab. Elevated by a monumental mahogany base adorned with four majestic gilded-wood winged lions and intricate acanthus leaf details, the visual impact of this treasure is unmatched. The top showcases a monumental specimen of Blue John, a feat rarely achieved due to the stone's particular nature. As one of the largest examples of continuous stone, its polished surface reveals striking bands of deep purple. The acanthus leaf motif extends to the giltwood border, adorned with elegant scrolling patterns that enhance the exceptional feat of design. \u003cbr\u003e\u003cbr\u003e Only the most gifted artisans were charged with crafting exquisite masterworks such as this, as Blue John demands a great deal of skill in its handling. A soft and brittle stone, it responds quickly to heat and must be carefully dried to retain its original color. This impressive plateau stands as an astonishing example of the rare and natural beauty of Blue John. Most examples of Blue John furniture feature small inset veneers, yet by contrast, this exceptional plateau is entirely intact. A specimen of this size would have been coveted and collected by 19th-century European royalty and aristocracy. \u003cbr\u003e\u003cbr\u003e 30\" high x 45\" diameter","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796921352514,"sku":null,"price":268500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-8741_1.png?v=1768059856"},{"product_id":"french-marble-and-bronze-mantel","title":"French Marble and Bronze Mantel","description":"Fireplace Mantel\u003cbr\u003e 19th century \u003cbr\u003e\u003cbr\u003e This French fireplace mantel is crafted from the finest marble. The deep veins of brown, gray and dusky rose are revealed through meticulous carving, creating a rich interplay of color and texture. Ornate bronze lion heads accentuate the legs, while an elaborate floral crest crowns the center, embodying the grandeur of 19th-century French design. \u003cbr\u003e\u003cbr\u003e Mantels of this caliber were found only in the stateliest of French châteaux, commissioned for aristocratic homes that celebrated architectural splendor. During the 19th century, the French elite adorned their interiors with monumental fireplaces, considering them both functional and decorative statements of wealth and sophistication. This exceptional example, with its grand scale and unparalleled artistry, epitomizes the luxurious tastes of the era. \u003cbr\u003e\u003cbr\u003e 46 1\/4\" high x 82 1\/4\" wide x 16 1\/4\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796930429250,"sku":null,"price":248500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/32-0733_1.png?v=1768059861"},{"product_id":"art-nouveau-display-cabinet-from-georges-hoentschel","title":"Art Nouveau Display Cabinet from Georges Hoentschel","description":"Display Cabinet From Georges Hoentschel\u003cbr\u003e Brasswork by Frank Scheidecker\u003cbr\u003e Circa 1902 \u003cbr\u003e\u003cbr\u003e This extraordinary Art Nouveau display cabinet, conceived under the direction of renowned French decorator Georges Hoentschel, is a singular work of art created for display at the 1902 Salon of the Société Nationale des Beaux-Arts. Uniting curvilinear structure and delicate natural motifs, the masterpiece presents as an indoor greenhouse, beautifully rendered in sculpted, ribbed and stained plane tree with glazed upper panels and arching lines reminiscent of flowering branches. Its exceptional brass ornamentation and pierced base tray, executed by Frank Scheidecker, depicts cascading wisteria and koi fish, transforming the structure into a luminous, botanical tableau. \u003cbr\u003e\u003cbr\u003e The framework rests on vegetal-form feet and culminates in decorative arches. Each panel is glazed and framed in undulating wood, while Scheidecker's finely cut wisteria flourishes across the upper glass panels. Its presence remains deeply evocative of the period's artistic ambitions, a fusion of function and fantasy at the height of Art Nouveau artistry. \u003cbr\u003e\u003cbr\u003e This cabinet exemplifies the visionary approach of Georges Hoentschel, a Parisian decorator, collector, architect and ceramist whose life and career unfolded during a time of dramatic social and cultural transformation in France. As head of the renowned furnishing firm Maison Leys, Hoentschel employed over 50 craftsmen and served an elite international clientele that included J.P. Morgan, Jacques Doucet and the Emperor of Japan. Hoentschel did not produce the works himself but shaped the creative vision that inspired his skilled artisans. His innovative aesthetic earned him a central role in promoting French decorative arts during the Belle Époque. \u003cbr\u003e\u003cbr\u003e Following the upheavals of the Franco-Prussian War and the Commune, the newly established Third Republic witnessed a renewed interest in eighteenth-century art and historic French styles. Hoentschel capitalized on this trend with his encyclopedic knowledge of decorative arts and an extensive archive of period models, furniture and architectural fragments. He exported French taste to a global stage through his participation in World’s Fairs and prestigious commissions. Similar botanical and architectural elements to those in this cabinet were showcased in Hoentschel’s celebrated “Salle du Bois” at the 1900 Paris Exposition and again at the 1904 St. Louis World’s Fair—two of his career's defining achievements. He also played a key role in the early plans for the Musée des Arts Décoratifs at the Louvre, designing the pavilion of the Union Centrale des Arts Décoratifs for the Paris fair. \u003cbr\u003e\u003cbr\u003e Documented in multiple landmark exhibitions, including Tokyo’s 1968 \u003cem\u003eL’Art Nouveau\u003c\/em\u003e and \u003cem\u003eSarah Bernhardt\u003c\/em\u003e at the Espace Pierre Cardin in 1976, this display cabinet is one of the rare surviving objects to embody both Hoentschel’s artistic ambition and the Belle Époque’s decorative spirit. It stands not only as a functional object but as a sculptural expression of a moment when nature, craftsmanship and the avant-garde were beautifully intertwined. \u003cbr\u003e\u003cbr\u003e 83 1\/4\" high x 44 1\/2\" wide x 33\" deep \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e Salon de la Société Nationale des Beaux-Arts, Paris, 1902, Catalogue no. 206\u003cbr\u003e \u003cem\u003eExposition L'Art Nouveau\u003c\/em\u003e, Seibu de Shibuya, Tokyo, November 4-23, 1968, Catalogue no. 78\u003cbr\u003e \u003cem\u003eSarah Bernhardt\u003c\/em\u003e, Espace Pierre Cardin, Paris, March 1976, Catalogue pp. 48-49 \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e A. Guérinet, \u003cem\u003eDecorative Art at the Fine Arts Exhibitions 1902: Society of French Artists, National Society of Fine Arts, Private Exhibitions, 3rd Series, Furniture\u003c\/em\u003e, Librairie d’Art Décoratif, Paris, 1902, plate 27 (illustrated)\u003cbr\u003e L. Baschet, \u003cem\u003eIllustrated Catalogue of the 1902 Salon: National Society of Fine Arts\u003c\/em\u003e, Librairie d’Art, Paris, 1902, cat. no. 206, p. LXI\u003cbr\u003e A. Duncan, \u003cem\u003eThe Paris Salons, 1895–1914, Vol. III: Furniture\u003c\/em\u003e, Antique Collectors’ Club, 1999, p. 502 (illustrated)\u003cbr\u003e N. Hoentschel, V. Bouvet, F. Chapon, M. Hayot, J. Parker, J. Soustiel and D. W. Wright, \u003cem\u003eGeorges Hoentschel, 1855–1915\u003c\/em\u003e, Éditions Monelle Hayot, Saint-Rémy-en-l’Eau, 1999, p. 67 (illustrated)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796937277762,"sku":null,"price":228500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/32-0541_1_a00045d8-0fec-4b0e-a74c-524a24ca6baf.png?v=1768059867"},{"product_id":"louis-xvi-style-marquetry-commodes","title":"Louis XVI-Style Marquetry Commodes","description":"This magnificent pair of French commodes captures the refinement of the Louis XVI style. A highly detailed parquetry design is inlaid into the commodes’ facades and centered by beautiful marquetry still lifes of fruits, flowers and urns. The foliate motif continues with abundant neoclassical bronze ormolu decoration, including acanthus swags and wreath drawer pulls. Each commode is completed by a white marble top accented with elegant grey veins. Crafted with subtlety and meticulous attention to detail, this pair of commodes epitomizes all of the best elements of the neoclassical Louis XVI style. \u003cbr\u003e\u003cbr\u003e Based on the furniture and decor created during the reign of French King Louis XVI (1774-1789), the Louis XVI style experienced a comeback in the 1860s in Europe. This revival reintroduced a formal classicism to furniture with an emphasis on simplicity, straight lines and symmetry. The slenderness of proportion was once again favored in furniture, as well as classical motifs and understated luxury. Today, this elegant and timeless style remains highly prized. \u003cbr\u003e\u003cbr\u003e Circa 1880 \u003cbr\u003e\u003cbr\u003e 59\" wide x 19 1\/2\" deep x 35 1\/2\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796946092354,"sku":null,"price":198500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-3639_1_5f5bde42-2df8-445f-ae9d-eb401ef68305.png?v=1768059871"},{"product_id":"pietra-paesina-specimen-table-attributed-to-gillows","title":"Pietra Paesina Specimen Table Attributed to Gillows","description":"Pietra Paesina is one of the most scarce and wondrous stones on Earth, and the surface of this exceptional early 19th-century center table is inset with one of the rarest and most monumental examples of the natural wonder known to exist. The stone is set into a majestic rosewood base attributed to the renowned firm of Gillows of Lancaster and London, the favorite furniture makers of nobility and royalty throughout England. From the unique patterning of the precious Pietra Paesina to the magnificent carved central column and lion’s paw feet, this table evokes a sense of luxury and privilege. \u003cbr\u003e\u003cbr\u003e Pietra Paesina, also known as “ruin marble” and “landscape marble,” hails primarily from the Northern Apennine mountains near Florence, Italy. The stone is believed to have formed approximately 40 to 50 million years ago under infrequent and precise geological conditions whereby limestone deposits deep within the Earth became fractured by the movement of tectonic plates. These fractures were then filled over time with iron and manganese hydroxide deposits from groundwater that were later sealed by the deposition of calcite crystals. When cut, these mineral deposits within the stone formed landscape-like images that appear to resemble ancient ruins or mountainous terrains.   \u003cbr\u003e\u003cbr\u003e This marvelous stone was discovered sometime in the 16th century and immediately became desired by royalty and wealthy connoisseurs around the world, with the first being the royal Medici of Renaissance Italy. This prestigious family had Florentine artisans craft from this stone furniture and interior ornaments to adorn their palaces. Finding large specimens of Pietra Paesina as displayed in this center table is nearly impossible since most known examples are small enough to fit in your hand. The stone must be cut in order to see if the desired patterning is present, which is not guaranteed. If a pattern is present, by the time it is cut and polished, very little of the stone remains, making the top of this table a true marvel of the natural world.   \u003cbr\u003e\u003cbr\u003e Furnishings by Gillows are held in the highest regard, and the opportunity to acquire a one-of-a-kind masterpiece by this esteemed company is indeed a rarity. Hardstone pieces such as this were popular among the British aristocracy during the 19th century, as they displayed the wealth and worldly knowledge of those that owned them. Such hardstones were often acquired by those participating in their Grand Tour of Europe. They would be brought back to England and incorporated into some of the finest furnishings of the period, so there is little wonder why Gillows would have been commissioned for such an important work.  \u003cbr\u003e\u003cbr\u003e  Founded in 1730 by Robert Gillow, the Gillows firm operated successfully as a family-owned business well into the 19th century. Originally operating from Lancaster, England, Gillows was especially noted for their quality of workmanship and innovative designs. No other firm in the country had managed to gain as far-reaching and prestigious a level of patronage as that of the Gillows firm, primarily due to the quality and classic nature of their furnishings. The Gillows firm was especially popular with the English nobility and with powerful religious figures throughout the country. Clients included the Earls of Wilton, the Duke of Norfolk, the Earl of Surrey and the Archbishop of York. \u003cbr\u003e\u003cbr\u003e Made by one of the most famed furniture makers of the 19th century with one of the rarest stones in the world, this center table is a masterpiece of furniture making worthy of a museum.  \u003cbr\u003e\u003cbr\u003e Circa 1820 \u003cbr\u003e\u003cbr\u003e Provenance: \u003cbr\u003e Hailing from an important English titled estate where it has been since it was commissioned. \u003cbr\u003e\u003cbr\u003e 36\" diameter x 29\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796949139778,"sku":null,"price":198500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/30-8715_1.png?v=1768059875"},{"product_id":"louis-comfort-tiffany-inlay-chair","title":"Louis Comfort Tiffany Inlay Chair","description":"Side Chair with Inlay\u003cbr\u003e Tiffany Glass \u0026amp; Decorating Company\u003cbr\u003e Circa 1891-93 \u003cbr\u003e\u003cbr\u003e This exceptionally rare and important side chair by Louis Comfort Tiffany represents one of the most innovative expressions of late 19th-century American design. Crafted in primavera and American ash, its exquisite construction is enriched with elaborate floral carvings, variegated wood and metal micromosaic marquetry. A remarkable surviving example of Tiffany’s early furniture work, this chair is a stunning marriage of sculptural carving, exotic ornament and technical ingenuity. \u003cbr\u003e\u003cbr\u003e The chair’s design is a tour de force of Tiffany’s experimentation with surface and ornament. The crest rail is carved with elaborate floral motifs modeled after Japanese ivory inro, while the frame is ornamented with thousands of minute squares of multicolored wood, each set within fine metal borders to create a dazzling micromosaic effect. This technique, described in 1893 in \u003cem\u003eThe Decorator and Furnisher\u003c\/em\u003e as “an entirely new method of work,” recalls cloisonné enamels and Indian wood mosaics imported by Tiffany’s partner, Lockwood de Forest. The plush velvet seat is supported by reeded legs that terminate in Tiffany’s iconic brass claw and glass ball feet. \u003cbr\u003e\u003cbr\u003e Originally part of a suite of four chairs and a matching library table, this chair is also similar to an important group of Tiffany furniture now in major museum collections, including the Metropolitan Museum of Art, Detroit Institute of Arts and the Cleveland Museum of Art. This body of furniture work is likely connected to Tiffany and Samuel Colman’s 1891 commission for Henry Osborne and Louisine Havemeyer, among the most significant patrons of 19th-century American art. \u003cbr\u003e\u003cbr\u003e Louis Comfort Tiffany’s first foray into interior design began with the firm Louis C. Tiffany \u0026amp; Associated Artists (1881–83), founded with Candace Wheeler, Lockwood de Forest and Samuel Colman. Together they introduced a distinctly American decorative style that blended Near Eastern, Japanese and natural motifs with innovative craftsmanship. By the 1890s, Tiffany reorganized the venture as Tiffany Glass \u0026amp; Decorating Company, expanding his experiments in wood, metal and mosaic to furniture design. This chair is an early and exceptionally rare example of Tiffany’s groundbreaking ambition to unite art, nature and craftsmanship across every element of his designs. \u003cbr\u003e\u003cbr\u003e 35 1\/4\" high x 18 1\/4\" wide x 16 1\/4\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796953825602,"sku":null,"price":178500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/32-1697_1_dda4c0ee-91e0-4354-a841-c96763a507ad.png?v=1768059880"},{"product_id":"american-federal-style-dining-room-suite","title":"American Federal-Style Dining Room Suite","description":"This superb American Federal-style dining room suite is magnificent. Beloved for its neoclassical elegance, the Federal style is among the most celebrated of all American design styles. It became popular during a period when the decorative arts moved away from the heavily carved Rococo pieces of the past and embraced the graceful lines and proportions of Neoclassicism. Impressive in size and breathtaking in craftsmanship, this set is a remarkable example of the style, and each piece is graced with delicately inlaid with brass neoclassical motifs.  \u003cbr\u003e\u003cbr\u003e Nineteen pieces comprise this impressive suite, which remains in exceptional condition considering its age. The central dining table offers the ultimate in versatility. Its two leaves and three pedestals can be adjusted to allow for a range of sizes, from a table for twelve to a table for two. Two armchairs and ten side chairs are also included, and each is upholstered in rich, cream-colored brocade. \u003cbr\u003e\u003cbr\u003e For serving, the suite is accompanied by an expansive sideboard with ample storage space and drawers for all manner of dining accessories. It also features a breakfront with swan’s neck cresting a server with a pedestal base, an extremely rare octagonal wine cooler, lined with lead and with space for five bottles, a silver canteen with fitted drawers and a children’s table. The suite is an extraordinary feat of design and craftsmanship, and is undoubtedly one of the finest examples of American furniture on the market. \u003cbr\u003e\u003cbr\u003e Circa 1880 \u003cbr\u003e\u003cbr\u003e This suite includes:\u003cbr\u003e Dining Table: 56” wide x 162” length x 29” high\u003cbr\u003e Arm Chairs: 24” wide x 20” deep x 38 1\/2” high\u003cbr\u003e Side Chairs: 18 1\/2” wide x 17” deep x 34 3\/8” high\u003cbr\u003e Breakfront: 46” wide x 23” deep x 89” high\u003cbr\u003e Sideboard: 69” wide x 23” deep x 59” high\u003cbr\u003e Small Sideboard: 45” wide x 29” deep x 49” high\u003cbr\u003e Wine Cooler: 19” wide x 19 deep x 36” high\u003cbr\u003e Silver Canteen: 36” wide x 18” deep x 17” high\u003cbr\u003e Children’s Table: 39” wide x 52 1\/2” length x 28” high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796964999490,"sku":null,"price":148800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/29-1585_1_d4c2bf3a-8f21-4952-b1bc-22686b0b1c4e.png?v=1768059886"},{"product_id":"aubusson-parlor-set","title":"Aubusson Parlor Set","description":"This gracious Louis XV-style parlor set is richly upholstered in the most exceptional hand-woven Aubusson tapestries. The best examples are considered to be those with figural motifs, and this particular suite is distinguished by pastoral scenes of both people and animals, the most rare and desirable of all. Aubusson tapestries have been recognized for their superb quality for centuries, and are increasingly difficult to find in such pristine condition. A fine walnut suite such as this, comprised of a sofa and four armchairs, was extremely labor intensive to create, therefore available only to the wealthiest households. Today, it is extremely rare to find a large suite retaining such high levels of quality, condition and elegance. Combining the talents of both the ébéniste and tapestry weaver with exceptional style and sophistication, this set is a superior find. \u003cbr\u003e\u003cbr\u003e The Aubusson region was the leading manufacturer of fine tapestries since their emergence in the 14th century, with an impressive repertoire that made them the first choice among 18th-century French nobility. Because they favored a certain degree of harmony in their décor, a room whose walls were hung with classically-inspired tapestries would naturally be paired with furnishings bearing similar woven motifs. The late 19th century witnessed a great revival of these early Aubusson furnishings amongst the elite. This suite is a particularly fine example of the Louis XV style, exhibiting the highest quality craftsmanship in all respects.  \u003cbr\u003e\u003cbr\u003e\nCirca 1870\n\u003cbr\u003e\u003cbr\u003e\nSofa: 76” wide x 32” deep x 48” high\u003cbr\u003e\nArmchairs: 29” wide x 27” deep x 41” high\n ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796970799426,"sku":null,"price":148500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/29-4050_1.png?v=1768059890"},{"product_id":"mechanical-desk-by-alfred-emmanuel-louis-beurdeley","title":"Mechanical Desk by Alfred Emmanuel Louis Beurdeley","description":"This superb mechanical desk by famed French \u003cem\u003eébéniste\u003c\/em\u003e Alfred Emmanuel Louis Beurdeley is both an artistic and engineering achievement. Enhanced with classical inlays featuring muses and putti engaged in the study of astronomy and the arts, this exquisite table features ornate cast gilt bronze embellishments. These range from the refined border along the top to the intricate acanthus mounts adorning the corners and friezes, as well as the laurel leaf designs on the legs and the ball feet's decorative caps. \u003cbr\u003e\u003cbr\u003e With a special turn of a key, the center panel emerges from the desk's interior, revealing the table's hidden, beautifully constructed second nature. This hidden drawer is comprised of three sections, each with its own expertly inlaid surface. With a pull of a bar located underneath, these latched sections are released. The two side sections unfold outward to reveal two large storage spaces and four small drawers with gilt bronze laurel leaf pulls. The center section rises at an angle for reading or writing. Adjustment of the bar underside locks it in place, and the velvet-lined inset holds a mirror on its reverse side. \u003cbr\u003e\u003cbr\u003e After working alongside his father for many years, Alfred Beurdeley became the successor to his family’s prosperous furniture manufacturing enterprise in 1875. The company specialized in high-quality, 18th-century revivals and his extravagant style captured the attention of wealthy Parisians eager to decorate their estates with rare and important Louis XV and Louis XIV-style furnishings. Beurdeley exhibited his works at the International Exposition of 1878, the Amsterdam Exposition of 1893, after which he was appointed Chevalier de la Légion d’Honneur and the Paris Exposition Universelle of 1889. Shortly after obtaining the prestigious honor of the Gold Medal in Paris, Beurdeley closed his shop in 1895, sold his famous collection, and spent the remainder of his life in seclusion. In the short span of 20 years, Beurdeley made an indelible mark on the history of 19th-century French furnishings, for his creations remain among the finest of the period. \u003cbr\u003e\u003cbr\u003e A similar table is featured in \u003cem\u003e19th-Century European Furniture\u003c\/em\u003e by Christopher Payne, page 54. \u003cbr\u003e\u003cbr\u003e Circa 1870 \u003cbr\u003e\u003cbr\u003e Closed: 42 3\/4” wide x 24 1\/2” deep x 29 3\/4” high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796975059266,"sku":null,"price":148500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/29-1724_1_e049c3c5-9be1-463a-9f42-969658bb0686.png?v=1768059896"},{"product_id":"english-mahogany-expanding-table","title":"English Mahogany Expanding Table","description":"This English mahogany circular extension dining table is based on a design by the famed craftsman Robert Jupe. Complete with its original leaves, the table’s circular top is formed of eight segments with a brass tip. When the top is rotated via the removable crank handle, an ingenious mechanism causes the sections to diverge, allowing a set of leaves to be inserted for an increase in space. What was once a table that could seat six to eight individuals easily transforms into a table for 12. This revolutionary mechanism is set upon pedestals that reside in its handsome cross base. Expertly restored, it comes complete with a later leaf-case enclosing its set of eight leaves. \u003cbr\u003e\u003cbr\u003e Such designs, known as \"patent furniture,\" are some of the most fascinating pieces of furniture in the world. Tables such as this illustrate perfectly the Regency era's quest to combine technical innovation with superb and beautiful craftsmanship. These pieces are among the most desirable of all antique furnishings, representing the limitless imagination and skill of the cabinetmaker. \u003cbr\u003e\u003cbr\u003e Circa 1850 \u003cbr\u003e\u003cbr\u003e 65 3\/4\" diameter x 30\" high\u003cbr\u003e With leaves: 120\" diameter \n","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796977615170,"sku":null,"price":148500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/30-7869_1_0bc70b46-bcf7-4384-88ba-357b90b834bd.png?v=1768059902"},{"product_id":"american-oak-dining-suite-by-r-j-horner","title":"American Oak Dining Suite by R.J. Horner","description":"This outstanding 13-piece Victorian dining suite by R.J. Horner of New York boasts intricate hand carving rarely seen in furnishings of the era. Crafted of fine golden oak, the suite features eight dining chairs, a versatile dining table, a vitrine, a sideboard, a buffet and a chest that holds the leaves of the dining table. Each piece is detailed with a myriad of lavishly hand-carved figures, including winged lions, fanciful masks, dragons and maidens. The dining table was surely crafted with flexibility in mind, as inside the accompanying chest are nine leaves which allow the table to expand an additional seven feet in length from its original square dimensions. In terms of size and craftsmanship, this suite is a shining example of Victorian furniture. \u003cbr\u003e\u003cbr\u003e The period between 1880 and 1920 is often regarded as the “golden age” of American furniture craftsmanship, not only for the quality of the pieces, but also for the characteristic golden lacquers applied to finished furnishings. Overall prosperity following the American Civil War gave rise to wealthier families, larger homes and, hence, a desire for larger, more ornate furnishings for those homes. \u003cbr\u003e\u003cbr\u003e Oak became popular during this time, due to a shortage of available walnut. In particular, the New York firm of Robert J. Horner is known for creating some of the greatest, handcrafted oak furnishings of this period. Horner was a clerk at a curtain shop before opening his furnishing business in 1885. Although the firm lasted only 30 years, the pieces that were produced during that time displayed high-level carving and handmade craftsmanship that was seldom seen during the Victorian Age, which was largely marked by mechanized work and industrialism. Today, items crafted by Horner are highly desirable and sought by collectors of premium Victorian furniture. \u003cbr\u003e\u003cbr\u003e Circa 1885 \u003cbr\u003e\u003cbr\u003e Chairs: 19 1\/2” wide x 47 3\/4” high\u003cbr\u003e Table (without leaves): 53” wide x 53” length x 30 1\/4” high\u003cbr\u003e Table (with leaves): 140 1\/2” length\u003cbr\u003e Sideboard: 74 1\/2” wide x 25 3\/4” deep x 48” high\u003cbr\u003e Buffet: 44” wide x 18” deep\u003cbr\u003e Vitritne: 55 1\/2\" wide x 19 1\/2\" deep x 81 3\/4\" high \u003cbr\u003e Leaf Chest: 54 1\/2\" wide x 21\" deep x 21\" deep \n","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796984299842,"sku":null,"price":148500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/29-3247_1_2d6add09-f61c-4bef-afcf-9658fe21cbff.png?v=1768059906"},{"product_id":"falcons-eye-and-tigers-eye-table-by-theodore-millet","title":"Falcon's Eye and Tiger's Eye Table by Théodore Millet","description":"Bronze Table with Falcon Eye and Tiger Eye Top\u003cbr\u003e Théodore Millet\u003cbr\u003e Circa 1890 \u003cbr\u003e\u003cbr\u003e This exceptional table by renowned Parisian ébéniste Théodore Millet epitomizes the grandeur of late 19th-century French decorative arts. The masterpiece harmoniously blends noble materials, including mahogany, chiseled gilt bronze and a spectacular hardstone top of tiger's eye and falcon's eye, into a work of refined opulence. Supported by four classical female caryatids, the table’s sculptural base draws inspiration from the neoclassical revival style championed by Adam Weisweiler, with Millet’s signature flair for detail and balance. \u003cbr\u003e\u003cbr\u003e The table’s square top with canted corners features a dramatic twelve-pointed star radiating from the center, inlaid with mesmerizing bands of golden tiger’s eye and iridescent blue-green falcon’s eye. Both stones exhibit chatoyancy, a silky, shifting luster that animates the surface with every movement. The top is framed by an ornate gilt bronze ingot mold delicately chiseled with a leaf motif, complementing the rich mahogany base and its fluted, tapering legs. An urn-shaped finial at the crosspiece, draped in gilt bronze, further anchors the table’s design in classical tradition. \u003cbr\u003e\u003cbr\u003e Théodore Millet, who founded his atelier in 1853, was a distinguished cabinetmaker and bronze manufacturer known for his mastery in creating luxurious furnishings in the Louis XVI and Empire styles. He exhibited at the major international exhibitions of his time, winning medals and earning acclaim for the quality of his gilt bronzes and hardstone works. \u003cbr\u003e\u003cbr\u003e A similar table with an amethyst top and caryatid supports is illustrated in \u003cem\u003eParis: The Quintessence of the 19th Century\u003c\/em\u003e by Christopher Payne on page 473. \u003cbr\u003e\u003cbr\u003e 27 7\/8\" high x 20 1\/4\" diameter","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796989182274,"sku":null,"price":124500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/32-0527_1.png?v=1768059910"},{"product_id":"mahogany-kneehole-desk-by-thomas-chippendale","title":"Mahogany Kneehole Desk by Thomas Chippendale","description":"Mahogany Kneehole Desk\u003cbr\u003e Thomas Chippendale\u003cbr\u003e Circa 1775 \u003cbr\u003e\u003cbr\u003e This exceptional kneehole desk represents the work of Thomas Chippendale and his workshop, and reflects the disciplined craftsmanship that made him the most influential cabinetmaker of the 18th century. Constructed from select Cuban mahogany, the desk displays the dense figure and rich luster prized in the period and favored by Chippendale for his most sophisticated commissions. \u003cbr\u003e\u003cbr\u003e Chippendale’s meticulous approach to construction is evident throughout. A finely carved band of narrow guilloche beading runs beneath the upper drawer, a hallmark of his refined ornamental style. The original fire-gilded buckle drop handles remain intact and contribute to the desk’s distinguished presence. The bracket feet are carved with a pronounced key motif, another detail associated with Chippendale's signature hand. Underneath, the red wash typical of his workshop and laminated oak corner blocks reinforce its authenticity. \u003cbr\u003e\u003cbr\u003e The interior is executed with the same level of precision. The top drawer is lined in mahogany, a feature encountered only in Chippendale’s highest-tier work, and the remaining drawers retain their blue paper bottoms. Together, these elements correspond to known practices documented in pieces from his St. Martin’s Lane estate. Chippendale’s monumental career undeniably reshaped British furniture design. The publication of \u003cem\u003eThe Gentleman and Cabinet-Maker’s Director\u003c\/em\u003e in 1754 disseminated his models across Europe and North America, cementing his authority in Gothic, Chinese and Rococo styles before he later advanced Neoclassical forms. His clientele included prominent aristocratic families and major country houses, many of whose furnishings remain in historic collections. A work of both aesthetic clarity and technical rigor, this kneehole desk stands as a distinguished example of Chippendale’s mature production. \u003cbr\u003e\u003cbr\u003e 30 1\/2\" high x 43 3\/4\" wide x 22 1\/2\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796996751682,"sku":null,"price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/32-1789_1.png?v=1768059917"},{"product_id":"pair-of-thomas-chippendale-armchairs","title":"Pair of Thomas Chippendale Armchairs","description":"This set of two carved mahogany chairs was crafted by the inimitable and famed Thomas Chippendale. The yellow upholstered seats complement the deep mahogany beautifully, creating an elegant balance. The talent and genius of Thomas Chippendale's designs dominated the furniture styles of the 18th century. He was the first person to boast such a strong following that an entire style bears his name and not that of a monarch, and sets such as this demonstrate his lasting influence on English cabinetmakers. \u003cbr\u003e\u003cbr\u003e The son of a Yorkshire cabinetmaker, Thomas Chippendale quickly excelled in the family business. By the age of 36, he owned a series of workshops throughout England and an expansive timber yard for harvesting the finest woods. In 1754, Chippendale published \u003cem\u003eThe Gentleman and Cabinetmaker's Director\u003c\/em\u003e, considered the “bible” of furniture design of its day. The book contained over 161 plates with an astounding range of furniture in the Gothic, Chinese and Rococo styles. Subsequent publications of the text throughout Europe and North America included many Neo-Classical designs, serving to propel Chippendale into the international spotlight. Soon, this modest craftsman counted among his distinguished clientele countless members of nobility and society.  \u003cbr\u003e\u003cbr\u003e 18th century \u003cbr\u003e\u003cbr\u003e 35 1\/2“ high x 24” wide x 18“ deep each","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51796999700802,"sku":null,"price":94500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-7519_1.png?v=1768059920"},{"product_id":"george-ii-mahogany-pembroke-table-by-thomas-chippendale","title":"George II Mahogany Pembroke Table by Thomas Chippendale","description":"Pembroke Table\u003cbr\u003e Thomas Chippendale\u003cbr\u003e Circa 1760 \u003cbr\u003e\u003cbr\u003e This highly significant Pembroke table is a rare example of Thomas Chippendale's exceptional craftsmanship, showcasing his legacy's unparalleled artistry. Its architectural elegance is evident in the exquisite front drawer and rear panel fluting, details consistent with Chippendale's documented works. The table's legs, adorned with supremely detailed fluting, exemplify Chippendale's mastery of neoclassical design. Gilded brass handles—hallmarks of his creations—add a further touch of opulence. Nearly identical in design and refinement to the renowned Pembroke table at Nostell Priory (1769), this masterpiece stands as one of the most exquisite and architecturally significant examples of Chippendale’s work still in private hands. \u003cbr\u003e\u003cbr\u003e The table has elegant proportions and meticulous detailing, from the symmetry of its fluting to the lustrous brass fittings, revealing Chippendale's pursuit of perfection. Thomas Chippendale remains one of the most revered cabinetmakers in history, credited with revolutionizing furniture design in the 18th century. His style was the first in history to bear the name of an individual rather than a reigning monarch. Chippendale's groundbreaking publication, The Gentleman and Cabinetmaker’s Director (1754), solidified his influence, with its 161 plates offering designs ranging from Gothic to Rococo. His clientele spanned royalty and notable figures, with commissions for grand estates such as Nostell Priory, Harewood House and Burton Constable. Despite his immense talent, Chippendale's commitment to perfection often came at a financial cost, resulting in a legacy defined by unparalleled artistry rather than wealth. This Pembroke table embodies the elegance, craftsmanship and historical importance for which the Chippendale name is celebrated. \u003cbr\u003e\u003cbr\u003e 28 1\/2“ high x 36 1\/4” wide x 29“ deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797007401282,"sku":null,"price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-9712_1_925b9b0f-07af-4107-b5fb-769777c2805f.png?v=1768059926"},{"product_id":"blue-john-table-by-royal-marble-works","title":"Blue John Table by Royal Marble Works","description":"This monumental table is a rare masterpiece of English furniture, custom-made by the Royal Marble Works for an important titled estate. Its striking design combines stunning Blue John and other important British fossil, marble and mineral specimens with exquisitely carved mahogany at an impressive scale, marking it as one of England's most important tables. \u003cbr\u003e\u003cbr\u003e The Royal Marble Works epitomized the pinnacle of British decorative stone furnishings. Their exceptional skills were recognized and patronized by the royal family, defining a significant chapter in England's artistic heritage. The firm was catapulted into global fame during the Great Exhibition of 1851, with its critically acclaimed and prize-winning marble table presented by John Woodley. Subsequent royal engagements—including a commissioned order from Prince Albert for Osborne House and the purchase of a marble table by the Prince of Wales in 1856—helped them achieve the status of the world’s preeminent hardstone craftsmen. \u003cbr\u003e\u003cbr\u003e This unique table showcases the height of this firm’s artistry, inlaid with an elegant kaleidoscope of some of the world's rarest and most visually striking stones, most notably Blue John. This stone is famed for its translucent layers that showcase a natural tapestry of deep blues, rich purples and golden yellows. The mastery required to work with Blue John—a material both soft and brittle that can quickly react to heat—means only the most skilled craftsmen can wield its nature-made beauty. In addition to Blue John, the table incorporates a magnificent array of rare British specimens, including Dulcote Agate, Turtlestone, Ashford Black Marble, Ashburton, Babbacombe Fossil Coral, Connemara, Cornish Serpentine, Fossil Marble, Ipplepen Marble, Kents Cavern Flowstone, Lummaton, Marston Magna, Petitor, Purbeck Spangle, Radford Marble, Red Ogwell, and Swaledale Fossil. \u003cbr\u003e\u003cbr\u003e Circa 1840 \u003cbr\u003e\u003cbr\u003e 34 1\/8\" high x 52 1\/2\" wide x 32\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797010874690,"sku":null,"price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-7338_1.png?v=1768059930"},{"product_id":"regency-rosewood-marble-specimen-table","title":"Regency Rosewood Marble Specimen Table","description":"This exquisite Regency-period rosewood table is distinguished by its remarkable specimen top. An exceptional relic of natural history, the tabletop, created circa 1840, bears nearly 110 samples of rare marbles and hardstones from around the world. The stones are arranged in a radiating concentric circle pattern, adding visual interest. A rainbow of natural hues emanates from the inlaid hardstones, which include yellow siena, Breche d'Alep, rouge griotte, malachite, red and black porphyry, lapis lazuli, green antico, Spanish brocatello and Carrara marble, among others. Further elevated by its exquisite carved base, this table showcases the artistry of Regency furniture makers. \u003cbr\u003e\u003cbr\u003e Furniture and \u003cem\u003eobjet d'art\u003c\/em\u003e that utilized inlaid and inset hardstones were considered one of the most prized souvenirs of the Grand Tour, from with micro mosaics and pietre dure to exquisite inlaid tables such as this. \u003cbr\u003e\u003cbr\u003e Circa 1840 \u003cbr\u003e\u003cbr\u003e 28 1\/2\" high x 44\" diameter","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797014970690,"sku":null,"price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-0079_1.png?v=1768059935"},{"product_id":"french-meuble-de-milieu-by-grimard","title":"French Meuble de Milieu by Grimard","description":"Enveloped in sumptuous parquetry and doré bronze, this majestic Louis XIV-style French \u003cem\u003emeuble de milieu\u003c\/em\u003e displays the characteristics of incredible quality and masterful workmanship synonymous with the Parisian firm of Maison Grimard. Crafted of sumptuous kingwood, the parquetry door opens to reveal six compartments used to store linens, such as those for the bedroom or even the dining table. The masterful woodwork is flawlessly balanced by intricate doré bronze mounts in the form of Neoclassical floral swags, garlands, plumes and acanthus scrolls. The delicately spiraled doré bronze feet give the cabinet a sense of lightness and balance. Enhanced by a beautiful rouge Campan marble top, this cabinet is an excellent example of late 19th-century French furniture craftsmanship at its finest. \u003cbr\u003e\u003cbr\u003e The firm of G. Grimard produced some of the finest \u003cem\u003emeubles d'art\u003c\/em\u003e, or fine art furniture, during the second half of the 19th century in Paris. A frequent and tremendously successful exhibitor at the great international exhibitions, Grimard's body of work consists primarily of Louis XVI and Neoclassical-inspired creations that consistently exhibit the highest quality workmanship. Today, his pieces are incredibly rare and highly sought after.  \u003cbr\u003e\u003cbr\u003e Circa 1880 \u003cbr\u003e\u003cbr\u003e 34 1\/2\" wide x 18 1\/2\" deep x 58 1\/2\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797021458754,"sku":null,"price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/30-4699_1.png?v=1768059941"},{"product_id":"chippendale-style-mahogany-dining-chairs","title":"Chippendale-Style Mahogany Dining Chairs","description":"This outstanding set of Chippendale-style dining chairs was created from designs by Thomas Chippendale, one of history's most celebrated artisans. A testimony to the incredible workmanship inspired by Chippendale, these chairs not only display marvelous pierced back splats and intricately carved legs, but also feature fine cushioned seats upholstered in supple leather. Fashioned from handsome mahogany, the set is comprised of 10 side chairs and two armchairs. To find an original, unbroken set of this caliber is exceptional. \u003cbr\u003e\u003cbr\u003e Very similar designs are featured in Chippendale's definitive text \u003cem\u003eThe Gentleman \u0026amp; Cabinet-Maker's Director\u003c\/em\u003e. \u003cbr\u003e\u003cbr\u003e Circa 1860 \u003cbr\u003e\u003cbr\u003e Armchairs: 25” wide x 20” deep x 36 1\/2” high \u003cbr\u003e Sidechairs: 22 1\/4” wide x 20” deep x 36 3\/4” high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797025849666,"sku":null,"price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/28-9185_1_f1283807-e710-4be4-acd1-a0ce586fe558.png?v=1768059946"},{"product_id":"chippendale-style-dining-chairs","title":"Chippendale-Style Dining Chairs","description":"This fine set of ten 19th-century English mahogany dining room chairs was crafted after designs by the famed Thomas Chippendale. The set includes eight side chairs and two armchairs with carved ball and claw feet. The upholstered seats complement the deep mahogany beautifully, creating an elegant balance. The talent and genius of Thomas Chippendale's designs dominated the furniture styles of the 18th century. He was the first person to boast such a strong following that an entire style bears his name and not that of a monarch, and sets such as this demonstrate his lasting influence on English cabinetmakers. \u003cbr\u003e\u003cbr\u003e The son of a Yorkshire cabinetmaker, Thomas Chippendale quickly excelled in the family business. By the age of 36, he owned a series of workshops throughout England and an expansive timber yard for harvesting the finest woods. In 1754, Chippendale published \u003cem\u003eThe Gentleman and Cabinetmaker's Director\u003c\/em\u003e, considered the “bible” of furniture design of its day. The book contained over 161 plates with an astounding range of furniture in the Gothic, Chinese and Rococo styles. Subsequent publications of the text throughout Europe and North America included many Neo-Classical designs, serving to propel Chippendale into the international spotlight. Soon, this modest craftsman counted among his distinguished clientele countless members of nobility and society. His lasting influence \u003cbr\u003e\u003cbr\u003e Circa 1880 \u003cbr\u003e\u003cbr\u003e 38 1\/2\" high x 24\" wide x 18 1\/2 deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797027946818,"sku":null,"price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/28-310_1.png?v=1768059951"},{"product_id":"queen-anne-walnut-secretary","title":"Queen Anne Walnut Secretary ","description":"This important Queen Anne-period walnut secretary demonstrates exceptional quality and artistry. It boasts a desirable double bonnet, mirrored cabinet doors, later bun feet and its original embossed leather writing surface. The interior is skillfully constructed with a choice of compartments in which to hide one’s important documents and valuables. A secret drawer is also concealed in the side of the bureau interior, and the inclusion of original brass locks and some pulls adds to this secretary's desirability. Queen Anne-period furnishings such as this walnut secretary are incredibly rare and important examples of English cabinetmaking. \u003cbr\u003e\u003cbr\u003e The secretary bookcase, or secretaire, was an innovative piece of writing furniture introduced in the early 18th century. For the wealthiest households, it proved to be the preferred piece of writing furniture. As the demand for these versatile furnishings grew, so did the level of craftsmanship and overall beauty. Secretaries like this treasure soon became the focal point of the manor, serving as statements of culture and education.  \u003cbr\u003e\u003cbr\u003e Circa 1720  \u003cbr\u003e\u003cbr\u003e 36 1\/2\" wide x 24\" deep x 79\" high ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797031747906,"sku":null,"price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/30-0634_1_9a99e4db-5400-4799-92e9-88e4d89c8025.png?v=1768059956"},{"product_id":"louis-xiv-style-console-table","title":"Louis XIV-Style Console Table","description":"This Italian console table is exemplary of the grand architectural furnishings that were popular amongst the upper classes during the late 18th and early 19th century in both Italy and England. Carved with the opulent, weighty decoration that characterized the Baroque period, this table is masterfully crafted in the Louis XIV style. With a solid red marble top completing the design, this console would make a grand statement in the well-appointed home. \u003cbr\u003e\u003cbr\u003e Certainly a special commission, the base is lavishly carved in stunning detail from a rich hardwood with traces of gilding. Acanthus leaves and floral swags curve around the base, while four beautiful maidens lend support to the tabletop. Other striking decorative elements include a lion’s mask and a shield surrounded by oak branches, a traditional symbol of strength, stability and nobility. \u003cbr\u003e\u003cbr\u003e This console table perfectly illustrates the design conventions that dictated late 18th- and early 19th-century interiors. The console table reached the height of fashion during this period and was often considered more a part of the architecture than merely a piece of furniture. It was believed that no single element of the interior stood alone, with everything from upholstery to hardware serving to unify the room's design. A console table, then, was considered an integral part of the wall and the entire room. \u003cbr\u003e\u003cbr\u003e Circa 1840 \u003cbr\u003e\u003cbr\u003e 96\" wide x 21 1\/4\" deep x 42 3\/8\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797037220162,"sku":null,"price":84500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-3395_1_981b42c8-bd6a-4c80-b014-4cb0ac598a5d.png?v=1768059960"},{"product_id":"exhibition-model-of-expanding-table-by-samuel-hawkins","title":"Exhibition Model of Expanding Table by Samuel Hawkins","description":"A masterpiece of both cabinetmaking and mechanical engineering, this one-of-a-kind expanding table was crafted by the renowned cabinetmaker Samuel Hawkins of London for the Great Exhibition of 1851. Diminutive in size, the fascinating table was designed as a model to demonstrate Hawkins’ innovative patent screw movement to visitors of the Exhibition – six million people in total over five months. It was exhibited again a century later at the Victoria \u0026amp; Albert Museum during the Festival of Britain, an event intended “to symbolise two main qualities of the national character: realism and strength on the one hand, and, on the other, independence and imagination” (Catalogue of the Exhibition, 1951, p.117). To this day, the miniature masterpiece demonstrates the quest of English furniture makers to combine technical innovation with superb craftsmanship. \u003cbr\u003e\u003cbr\u003e Displaying exceptional ingenuity, Hawkins’ wind-out screw mechanism allowed one to extend the table’s base to accommodate concentric leaves with the simple crank of a handle. It is based on the inventive expanding table originally designed by Robert Jupe in 1835, which used a swivel mechanism to separate sections of the tabletop and allow for segmented leaves to be inserted. Hawkins’ tabletop, on the other hand, extends outwards directly from the center in order to accommodate additional leaves around its diameter. This unique design allowed the mechanism to also smoothly operate on rectangular tables, which could be wound out from the middle to allow for more table space. \u003cbr\u003e\u003cbr\u003e Hawkins was not alone in his endeavor to combine the technical merits of engineering and mechanics with the most artful pursuit of cabinetmaking. The first half of the 19th century saw a prolific increase in the popularity of applying new ideas to traditional furniture principles, which allowed furniture to serve many purposes. The resulting “patent” furniture was practical and refined, though few were as innovative as Hawkins’ prodigious design. \u003cbr\u003e\u003cbr\u003e Carved with the year of the Exhibition on the beautifully designed pedestal base, the table is a testament to the significance of this innovation. The model is mentioned in detail in the catalog of the Great Exhibition of 1851, the first international exhibition of industry, manufacturing, and science. Held at London’s dazzling Crystal Palace, its visitors were treated to exhibits from around the globe, including feats of engineering, innovations in industry, and marvels of design. Queen Victoria herself was a frequent visitor, along with her husband, Prince Albert, and others including Charlotte Brontë, Lewis Carroll, Charles Darwin, Alfred Tennyson and Charles Dickens. \u003cbr\u003e\u003cbr\u003e Pieces such as this that were made specifically for this seminal exhibition are among the most valuable to be found. Before the age of modern advertising, international exhibitions were the sole opportunity for craftsmen and inventors to market their wares to a mass audience. Thus, each piece was masterfully designed and painstakingly crafted down to the smallest detail, in the hopes that it would make a lasting impression on critics and attendees alike. Without question, this expanding table displays the finest craftsmanship and artistry, and is an unparalleled specimen of English ingenuity and original design. \u003cbr\u003e\u003cbr\u003e The table's mechanism is illustrated and described in great detail in the Official Descriptive \u0026amp; Illustrated Catalogue of the Great Exhibition of 1851. \u003cbr\u003e\u003cbr\u003e Circa 1851\u003cbr\u003e 13” high x 24” diameter \n","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797040365890,"sku":null,"price":78500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/30-5224_1_590daf8e-5381-4c67-8fa0-520a95559a1d.png?v=1768059965"},{"product_id":"thomas-chippendale-mahogany-serpentine-chest","title":"Thomas Chippendale Mahogany Serpentine Chest","description":"This incredibly rare serpentine-front chest of drawers is attributed to the iconic Thomas Chippendale and is counted as one of the few examples in existence made by his hand. An unquestionable masterpiece, this mahogany dresser is complete with its original brass swan-neck handles and bears the trademark protective “red wash” underneath, which Chippendale specifically used to safeguard his furnishings from insects. The dresser features four graduated, lockable drawers resting upon bracket feet with under casters. It also includes within its top drawer a fitted brushing slide with a green leather surface. The function of this slide was to provide a place to lay clothes flat for brushing prior to wearing. Comparable chests by Thomas Chippendale were supplied to Wilton House and Paxton House.\u003cbr\u003e\u003cbr\u003eThe talent and genius of Thomas Chippendale’s designs defined the furniture styles of the 18th century. He was the first person to boast such a strong following that an entire style bears his name and not that of a monarch. By the age of 36, he owned a series of workshops throughout England and an expansive timber yard for harvesting the finest woods. In 1754, he published The Gentleman and Cabinetmaker’s Director, considered the “bible” of furniture design of its day. The book contained over 161 plates with an astounding range of furniture in the Gothic, Chinese and Rococo styles. Soon, this modest craftsman counted numerous members of nobility and society among his clientele, including Catherine II of Russia. Today, the name Chippendale invokes images of refined taste and unparalleled elegance. It is no wonder masterpieces such as this rare dresser are so treasured by collectors. \u003cbr\u003e\u003cbr\u003eCirca 1770\u003cbr\u003e\u003cbr\u003e41 1\/2\" wide x 24\" deep x 31 5\/8\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797044330818,"sku":null,"price":78500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-4994_1.png?v=1768059971"},{"product_id":"sevres-porcelain-mounted-bureau-plat","title":"Sèvres Porcelain-Mounted Bureau Plat","description":"Form and function converge in this exceptional Louis XV-style bureau plat graced with eight elegant Sèvres porcelain plaques. Framing these delightful, hand-painted floral and fowl-themed plaques is a network of exquisite gilt bronze. Supporting the leather-topped table are graceful cabriole legs, a hallmark of fine Louis XV taste, that are crowned by gilt bronze caryatids and terminate in gilt bronze mounts. What makes this desk even more stunning is the inclusion of three concealed drawers that are opened only by the spring-loaded secret release mechanisms located underneath.\n\u003cbr\u003e\u003cbr\u003e\nThe first porcelain mounted furnishings appeared sometime in the mid-18th century in the shops of the foremost Parisian art dealers. These furnishings successfully, and quite beautifully, married renowned Sèvres porcelain with fine furniture to create a new segment of the decorative arts that appealed greatly to the aristocracy, especially women. The Duchesse de Mazarin, Comtesse du Barry, Marie-Antoinette and the Grand Duchess Maria Feodorovna of Russia are all known to have exquisite collections of Sèvres-mounted furniture. This ornate writing desk, or bureau plat, is a stunning 19th-century example of this treasured decorative art. \n\u003cbr\u003e\u003cbr\u003e\nDemand for porcelain-mounted furniture was successfully met by Sèvres substantial team of gifted porcelain artisans, particularly flower painters, whose remarkably intricate and elegant floral motifs were the most often requested to adorn these brilliant furnishings. Today, the greatest collections of Sèvres porcelain furniture are held by the Metropolitan Museum of Art in New York, the J. Paul Getty Museum in Los Angeles, the Wallace Collection in London and the famed Louve in Paris. \n\u003cbr\u003e\u003cbr\u003e\nCirca 1880\n\u003cbr\u003e\u003cbr\u003e\n53\" wide x 31\" deep x 32\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797048787266,"sku":null,"price":78500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/29-5188_1.png?v=1768059976"},{"product_id":"gate-leg-spider-table-by-thomas-chippendale","title":"Gate Leg Spider Table by Thomas Chippendale","description":"This highly important gate or \"spider\" leg table was crafted by the iconic Thomas Chippendale and is counted as one of the few rare examples made by his hand that is still in private hands. The table, crafted of mahogany, has a rectangular drop-leaf top that is supported by the pull-out gate legs of the spindle base. The straight, slender \"spider\" legs are the epitome of grace, and the light supports are designed for easy extension by moving outward. Taken together, the unique thinness of all its components lends the design a delicacy and elegant simplicity that is quintessential Chippendale. \u003cbr\u003e\u003cbr\u003e While today Chippendale is celebrated as the greatest cabinetmaker of his era, and perhaps of all time, his business life was far from financially stable. He valued perfection in his work above all else, seeking exceptional quality in each and every one of his pieces and spending painstaking hours on even the most minute details. While this slowed his production and resulted in him dying penniless, the outcome was some of the most exquisite pieces of furniture ever constructed. This table is one such example. The incredible attention to detail, impeccable proportions and highest-quality materials are evidence of Chippendale's commitment to pursuing perfection. \u003cbr\u003e\u003cbr\u003e The talent and genius of Thomas Chippendale's designs defined the furniture styles of the 18th century. His designs became so prominent and highly desirable during his lifetime that his entire style came to bear his name, a first in history that did not take the name of the reigning monarch. In 1754, he published \u003cem\u003eThe Gentleman and Cabinetmaker's Director\u003c\/em\u003e, which became the most important text on furniture design in its day. The book contained over 161 plates with an astounding range of furniture in the Gothic, Chinese and Rococo styles. Soon, this modest craftsman counted numerous members of nobility and society among his clientele, including Catherine II of Russia and famed actor David Garrick. He also obtained substantial contracts with the noble houses of Nostell Priory, Harewood House, Burton Constable, Ayrshire and Kent, some of which still house many of his finest pieces in their private collections. Today, the name Chippendale invokes images of refined taste and unparalleled elegance. It is no wonder masterpieces such as this table are so treasured by collectors.  \u003cbr\u003e\u003cbr\u003e A very similar table is pictured in \u003cem\u003eThe Life and Work of Thomas Chippendale, Vol. II\u003c\/em\u003e by Christopher Gilbert, page 224. The table further comes with a letter of authenticity that verifies this exceptional piece. \u003cbr\u003e\u003cbr\u003e Circa 1770 \u003cbr\u003e\u003cbr\u003e Closed: 27 1\/4\" wide x 10 1\/2\" deep x 27 3\/8\" high\u003cbr\u003e Open: 27 1\/4\" wide x 30 1\/8\" deep x 27 3\/8\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797052096834,"sku":null,"price":74500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-7226_1.png?v=1768059981"},{"product_id":"john-henry-belter-rosewood-armoire","title":"John Henry Belter Rosewood Armoire","description":"One of the rarest furniture forms created by John Henry Belter, this armoire is a testament to this legendary cabinetmaker's talent. Recognized as a pioneer in design and craftsmanship, Belter is widely considered the finest furniture maker of the Rococo Revival period. His mastery over his craft is on full display in this monumental piece. Its massive form and serpentine lines, along with a profusion of lavishly carved details, place it among the masterpieces of the Rococo Revival style. \u003cbr\u003e\u003cbr\u003e The opportunity to acquire a Belter armoire of this caliber is extremely rare, as only a handful are known to exist. In terms of technical craftsmanship, it features all the hallmarks of Belter's distinctive style. The seamless serpentine silhouette at its apex is shaped from the most delicate laminated wood, a technique that Belter himself pioneered and perfected. Exquisitely carved at the crest, drawers, and corners, this rare armoire is a stunning example of the ideals set forth by this acclaimed designer. \u003cbr\u003e\u003cbr\u003e While few craftsmen in history leave such an indelible mark on their craft, even fewer are so dedicated to quality and perfection that they never made a profit from their art. Thomas Chippendale was one such artisan, as was Louis Comfort Tiffany a century later. Belter is also among these legendary greats, whose dedication to perfection resulted in some of the most stunning works of art the world has seen. While his factory closed its doors soon after his death, his furniture remains highly sought after for its incomparable quality and craftsmanship. \u003cbr\u003e\u003cbr\u003e After being formally trained in Württemberg, Germany, John Henry Belter helped introduce the Rococo Revival style to America in 1833 and irrevocably reshaped the craft by developing new ways to strengthen laminated wood. His ingenious technique involved layering strips of wood with the grain running in different directions, thus increasing the wood’s strength to support the intricate, curved designs popular during the Victorian period. Though he worked in America for just under 30 years, he almost single-handedly bridged the gap between the craftsmanship of the 18th century and the profound new technologies of the 19th century. \u003cbr\u003e\u003cbr\u003e Circa 1860 \u003cbr\u003e\u003cbr\u003e 108\" high x 56 1\/2\" wide x 21 1\/4\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797054816578,"sku":null,"price":69500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/28-1488_1_d43dafb0-f968-42fb-b3e0-80ea6261e535.png?v=1768059986"},{"product_id":"george-iii-mahogany-and-satinwood-sideboard","title":"George III Mahogany and Satinwood Sideboard","description":"This magnificent demi-lune Georgian sideboard displays the pinnacle of the era’s refined craftsmanship and boasts a distinguished provenance. Crafted of the finest mahogany, the era's timber of choice for well-appointed manor homes, the sideboard is inlaid with satinwood marquetry and crossbanded with tulipwood, one of the most coveted species of rosewood. Tulipwood is prized not only for its durability but also for its innate beauty. The sideboard features its original brass pull handles and knobs. \u003cbr\u003e\u003cbr\u003e Illustrating the caliber of its exquisite craftsmanship, this large demi-lune sideboard was once housed in one of the most illustrious grand manor homes of the era, Hackwood Park. The luxurious piece of furniture served as a focal point in the incredible grand dining room of the impressive Hampshire estate.  \u003cbr\u003e\u003cbr\u003e The incredible 22-bedroom home was first constructed during the reign of Charles II (1630–85), and the main house has been improved and extended over the centuries. Covering over 260 acres, Hackwood Park was occupied by various noble families of the years, most notably the Bolton family. In fact, Jane Austen herself once danced in the halls of Hackwood Park at a gala hosted by the Duke of Bolton. The Austen connection remains ever prevalent as the home’s designer Lewis Wyatt also designed the Lyme Park estate, which served as the setting for Mr. Darcy's Pemberley in the BBC film adaptation of \u003cem\u003ePride and Prejudice\u003c\/em\u003e. \u003cbr\u003e\u003cbr\u003e A design for a similar large-scale demi-lune sideboard appears in Plate 5 Fig 1 of Thomas Shearer's The Cabinetmakers' London Book of Prices published in 1788. \u003cbr\u003e\u003cbr\u003e Circa 1790 \u003cbr\u003e\u003cbr\u003e 36 1\/2\" high by 107 5\/8\" wide by 37 1\/2\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Hackwood Park, Hampshire, UK\u003cbr\u003e Christie's London, 20-22 April 1998, lot 102\u003cbr\u003e Private Collection, New York\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797068087618,"sku":null,"price":64500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-6719_1.png?v=1768059995"},{"product_id":"george-iii-chippendale-period-serpentine-commode","title":"George III Chippendale-Period Serpentine Commode","description":"This rare 18th-century serpentine chest of drawers was crafted in the style of the iconic Thomas Chippendale. The George III mahogany dresser is complete with its original brass handles and features four graduated, lockable drawers with keyholes resting upon bracket feet. The top drawer slides to reveal a green baize writing surface, adding to the functionality of the exquisitely crafted commode. \u003cbr\u003e\u003cbr\u003e The talent and genius of Thomas Chippendale’s designs defined the furniture styles of the 18th century. He was the first person to boast such a strong following that an entire style bears his name and not that of a monarch. By the age of 36, he owned a series of workshops throughout England and an expansive timber yard for harvesting the finest woods. In 1754, he published \u003cem\u003eThe Gentleman and Cabinetmaker’s Director\u003c\/em\u003e, considered the “bible” of furniture design of its day. The book contained over 161 plates with an astounding range of furniture in the Gothic, Chinese and Rococo styles. Soon, this modest craftsman counted numerous members of nobility and society among his clientele, including Catherine II of Russia. Today, the name Chippendale invokes images of refined taste and unparalleled elegance. It is no wonder masterpieces such as this rare chest are so treasured by collectors.  \u003cbr\u003e\u003cbr\u003e Circa 1770 \u003cbr\u003e\u003cbr\u003e 32 3\/4\" high x 42 3\/4\" wide x 24 1\/4\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797073690946,"sku":null,"price":64500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-5263_1.png?v=1768060000"},{"product_id":"mahogany-bureau-cabinet-after-thomas-chippendale","title":"Mahogany Bureau Cabinet after Thomas Chippendale","description":"This extraordinary Irish bureau cabinet was crafted based on a design for a desk and bookcase drawn from Thomas Chippendale’s famed 1762 edition of \u003cem\u003eThe Gentleman and Cabinet-Maker's Director\u003c\/em\u003e. Chippendale’s revolutionary designs came to define the Georgian style, and this mahogany George II cabinet is exquisitely adorned with carved acanthus leaves, cartouches and billowing bows. Behind the later mirror plate, three interior shelves offer ample storage. Conservative, yet imposing, Chippendale's innovative furniture reflected the English return to a more neoclassical sensibility. He was the first craftsman to boast such a strong following that an entire style bears his name and not that of a monarch. \u003cbr\u003e\u003cbr\u003e Furthered distinguished by prestigious provenance, the exceptional mahogany creation was once owned by Sir Gordon White, Baron White of Hull. The magnate was a Royal Air Force pilot during the Second World War, and served as the co-founder of British multinational corporation Hanson Trust. His business endeavors amassed the Baron an expansive wealth, and he is remembered for his lasting legacy on British corporate acquisition and economy. \u003cbr\u003e\u003cbr\u003e The son of a Yorkshire cabinetmaker, Chippendale quickly excelled in the family business. By the age of 36, he owned a series of workshops throughout England and an expansive timber yard for harvesting the finest woods. In 1754, Chippendale published \u003cem\u003eThe Gentleman and Cabinetmaker's Director\u003c\/em\u003e, considered the “bible” of furniture design of its day. The book contained over 161 plates with an astounding range of furniture in the Gothic, Chinese and Rococo styles. Subsequent publications of the text throughout Europe and North America included many neoclassical designs, serving to propel Chippendale into the international spotlight. Soon, this modest craftsman counted among his distinguished clientele countless members of nobility and society. \u003cbr\u003e\u003cbr\u003e P.J. Walsh \u0026amp; Sons operated from around 1870 to 1922, and counted wealthy elites and nobility among their clients. More than a cabinetmaker, P. J. Walsh also served as an upholsterer, auctioneer and furniture dealer. This bureau cabinet bears their label, indicating they restored and sold the item during their illustrious tenure in Dublin’s furniture market. Throughout the 1890s, the firm was the primary furniture supplied to Edward Guinness, the first Earl of Iveagh, and a mahogany pedestal table bearing their label is housed in the Iveagh Bequest at Kentwood House, Hampstead. \u003cbr\u003e\u003cbr\u003e Circa 1770 \u003cbr\u003e\u003cbr\u003e Drawers marked with label “P. J. WALSH \u0026amp; SONS Cabinetmakers, Upholsterers, Auctioneers, Valuators, and Undertakers, Warehouse and Showrooms 20 Bachelor's Walk, Dublin Valuations and Funerals particularly attended to and conducted with respectability \u0026amp; economy” \u003cbr\u003e\u003cbr\u003e 92\" high x 48” wide x 22 1\/4\" deep \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Thomas Chippendale, \u003cem\u003eGentleman \u0026amp; Cabinet-Maker's Director\u003c\/em\u003e, Third Edition, 1762, plate CVIII. \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Sale, Sotheby's New York, 7 April 1990, lot 111\u003cbr\u003e Private Collection of Sir Gordon White, Baron White of Hull (1923-1995)\u003cbr\u003e Sale, Christie's, New York, 22 April 1999, lot 154\u003cbr\u003e Sale, Bloomsbury Auctions, New York, 23 March 2010, lot 57\u003cbr\u003e Private Collection, New York\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797079621954,"sku":null,"price":64500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-6717_1.png?v=1768060005"},{"product_id":"hardstone-and-rosewood-centre-table-attributed-to-gillows","title":"Hardstone and Rosewood Centre Table Attributed To Gillows","description":"This remarkable rosewood centre table attributed to legendary firm Gillows showcases masterful craftsmanship and stunningly rare hardstone specimens. The table's base is ornately crafted, complete with lion's paw feet, emphasizing the quality of the wood. The most impressive element of this beautiful piece of furniture, however, is the exquisite inlaid table top. Featuring eighteen semi-precious and hardstone specimens artfully arranged in alternating geometric shapes, rare stones like gem quality Lapis Lazuli, Egyptian porphyry and Siberian amethyst dazzle the eye. Other stones and specimens inlaid in square, circle and hexagon shapes include Pyrite Lapis Lazuli, Malachite, Green Aventurine, Agate of Amethyst, Greek Spartan Porphyry, Labradorite, Fossilized Wood, Occhio di Pavone, Brèche verte d'Égypte, Sicilian Jaspers, Blood Stone, Spanish Brocatelle, Siena Brocatelle, Convent Siena and Nero Antico. The sheer variety and superb quality of these features is an overwhelming visual delight and a triumph of craftsmanship. \u003cbr\u003e\u003cbr\u003e Hardstone pieces such as this were popular among the British aristocracy during the 19th century, as they displayed the wealth and worldly knowledge of those that owned them. Such hardstones were often acquired by those participating in their Grand Tour of Europe. They would be brought back to England and incorporated into some of the finest furnishings of the period. \u003cbr\u003e\u003cbr\u003e Founded in 1730 by Robert Gillow, the Gillows firm operated successfully as a family-owned business well into the 19th century. Gillows was especially noted for their quality of workmanship and innovative designs. No other firm in the country had managed to gain as far-reaching and prestigious a level of patronage as that of the Gillows firm, which was especially popular with the English nobility and with powerful religious figures throughout the country. Clients included the Earls of Wilton, the Duke of Norfolk, the Earl of Surrey and the Archbishop of York. The powerful elegance and exquisite design of this table coupled with the exceptional rarity of its hardstone specimens is simply remarkable. This rosewood centre table is a museum-quality masterpiece. \u003cbr\u003e\u003cbr\u003e 28 7\/8\" high by 42 1\/2\" wide by 25 1\/4\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797081063746,"sku":null,"price":64500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-2701_1.png?v=1768060010"},{"product_id":"george-ii-secretary-cabinet","title":"George II Secretary Cabinet","description":"This classic English secretary cabinet is adorned with expertly carved naturalistic elements that predominated the early Georgian style. The towering cabinet features a drop-front writing desk that opens to reveal a spacious writing surface and an array of compartments. Below, four lockable drawers provide even greater space for one's most important papers and correspondence, while behind the central, mirrored section, the interior is equipped with several bookshelves. The piece is surmounted by a broken pediment centered by a finely carved cartouche containing an armorial shield, designed in an asymmetrical Rococo fashion. The expert craftsmanship of such a complicated item required the skill and attention of the finest cabinetmakers, to which its high level of quality can attest. Finishing touches such as elaborate Rococo brass pulls, locks and carved bracket feet bring the design of this practical yet beautiful Georgian piece to completion.  \u003cbr\u003e\u003cbr\u003e The secretary bookcase, or secrétaire, was an innovative piece of writing furniture introduced in the early 18th century. For the wealthiest households, it proved to be the preferred piece of writing furniture. As the demand for these versatile furnishings grew, so did the level of craftsmanship and overall beauty. Secretaries such as the current offering soon became the focal point of the manor, serving as statements of culture and education.  \u003cbr\u003e\u003cbr\u003e Circa 1750  \u003cbr\u003e\u003cbr\u003e 50\" wide x 25\" deep x 112 1\/2\" high ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797085454658,"sku":null,"price":58500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-5642_1_7080a934-6872-42d5-875a-8d92ba755cc0.png?v=1768060015"},{"product_id":"pair-of-louis-xvi-console-tables","title":"Pair of Louis XVI Console Tables","description":"These classic Louis XVI-era console tables epitomize the grace and sophistication this celebrated style is renowned for. The elegantly tapered legs feature gold gilt detail and a beautiful patina, while the slender aprons display finely carved sunburst and foliate details, which are complemented by gorgeously veined gray marble tops. To find a single console table in this condition is remarkable, to a perfectly matched pair is truly exceptional.   \u003cbr\u003e\u003cbr\u003e Late 18th century \u003cbr\u003e\u003cbr\u003e 55 1\/4\" wide x 24 5\/8\" deep x 34 7\/8\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797089091906,"sku":null,"price":58500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-3402_1_55d3294c-e152-4f94-9ac1-b340fb84c574.png?v=1768060019"},{"product_id":"louis-xvi-dressing-table-by-paul-sormani","title":"Louis XVI Dressing Table by Paul Sormani","description":"Eloquent marquetry and faithful interpretation of the Louis XVI taste characterize this beautiful 19th-century dressing table by Paul Sormani. A graceful oval-shaped vanity mirror tops this impeccable design, ornamented with an ormolu framework of winged seraphim bearing striking candelabras. Delicate tendrils of ormolu-cast flora and cherubic characters adorn the clawfoot legs and drawers. Each of the table’s three console drawers are armed with locks, ensuring precious contents are kept safe and sound. \u003cbr\u003e\u003cbr\u003e Venetian cabinetmaker Paul Sormani established his Parisian boutique specializing in crafting meubles de luxe, or “small fancy furniture,” in 1847 and soon became a fashionable favorite of French royalty. Sormani’s popularity among nobility and gentry soared after being commissioned by Empress Eugenie, wife and consort of Napoléon III, to decorate the royal palace. The Sormani House exhibited furnishings at the 1855 World's Fair in Paris where the firm's designs were awarded a silver medal and again at the 1862 World's Fair in London, placing third with a bronze medal. While exhibiting at the 1867 World Expo in Paris, Sormani's designs won yet another silver medal and were described in these terms by judges: “All production reveals quality of execution of the first order.” \u003cbr\u003e\u003cbr\u003e Circa 1870 \u003cbr\u003e\u003cbr\u003e Signed “Sormani Paris \/ 134, Rd Haussmann” \u003cbr\u003e\u003cbr\u003e 45 3\/4“ wide x 25 3\/4” deep x 64“ high ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797095416130,"sku":null,"price":54500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/30-9904_1_d41ab5f3-bb77-470b-bb65-4c64560b8769.png?v=1768060025"},{"product_id":"specimen-table-attributed-to-william-trotter","title":"Specimen Table Attributed to William Trotter","description":"Octagonal Specimen Table\u003cbr\u003e William Trotter\u003cbr\u003e Early 19th Century \u003cbr\u003e\u003cbr\u003e This extraordinary early 19th-century Scottish specimen table is a museum-quality masterpiece attributed to William Trotter of Edinburgh, who is widely regarded as Scotland’s greatest cabinetmaker. The octagonal top is exquisitely inlaid with agate, jasper and rare Scottish hardstones, arranged in a striking pattern reminiscent of a stunning plume of feathers. The result is a remarkable fusion of geometric precision and the natural beauty of indigenous minerals. It is among the most important Scottish specimen tables ever made, and no other like it is known to exist. \u003cbr\u003e\u003cbr\u003e A finely carved foliate border in richly figured rosewood frames the top, enhancing its ornamental elegance. The vibrant gemstones are fitted with precision, reflecting a masterful command of both materials and technique. The table is supported by a well-balanced base and remains in untouched “country house” condition, a rare and desirable state that speaks to its long history and impeccable provenance. \u003cbr\u003e\u003cbr\u003e William Trotter (1772–1833) was the preeminent cabinetmaker of the Scottish Regency period and served as Lord Provost of Edinburgh from 1825 to 1827. He established his firm on Princes Street in 1805 and supplied furnishings to Scotland’s most distinguished estates, as well as to the Royal Collection. His work is instantly recognizable for its refined lines and commanding presence. This table stands among the finest examples of his output, combining superior craftsmanship with exceptional materials in a work of singular historical and artistic importance. \u003cbr\u003e\u003cbr\u003e 28 3\/4\" high x 20 1\/2\" wide x 16 1\/2\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797110522178,"sku":null,"price":48850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/32-0777_1.png?v=1768060035"},{"product_id":"regency-period-rosewood-card-tables","title":"Regency-Period Rosewood Card Tables","description":"These exceptional Regency card tables were designed with dual purposes in mind. Crafted of rosewood, the tables serve as attractive console tables when closed. When opened, the tables quickly transform into a felt-lined card playing surface. Exhibiting the best of traditional Regency design, these tables are classically adorned by inlaid brass that beautifully complements the richness of the rosewood. \u003cbr\u003e\u003cbr\u003e Card playing and gambling were very popular pastimes among the fashionable elite during the 18th and 19th centuries, and tables such as these were specially crafted and housed in some of the finest estates throughout England. It is exceedingly rare to find a matching Regency-period pair such as these, particularly in such excellent condition. \u003cbr\u003e\u003cbr\u003e Circa 1820 \u003cbr\u003e\u003cbr\u003e 36 1\/8\" wide x 17 5\/8\" deep x 28\" high (closed)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797114650946,"sku":null,"price":48850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-3638_1.png?v=1768060040"},{"product_id":"french-provincial-double-door-armoire","title":"French Provincial Double Door Armoire","description":"This majestic French walnut armoire is a stunning example of the Provincial style. Standing nearly nine feet high, this rare armoire featuring splendid rocaille carvings above its double doors and a wonderfully rich patina. Original mountings, double bolt locking mechanism and large key characterize this brilliant 18th-century furnishing. The first armoires appeared in France during the latter half of the 17th century and were most often the dominant feature of the home. These large cupboards were used to hold a family’s belongings from linens to clothing to silver and even food. Cabinetmakers drew their inspiration from the cupboards of Italy, Germany and Spain, but by the reign of Louis XV, the French armoire had reached its height of popularity and possessed a distinctly French flair. \u003cbr\u003e\u003cbr\u003e Originating in France in the 18th century, the French Provincial style was born of the ornate Louis XV and Rococo. However, it was crafted by furniture makers in the provinces, outside of the cities. By nature, its beauty relies more on form, function and available materials, and less on ostentatious decorative elements, such as gilding or intricate marquetry. Crafted of different kinds of solid wood, depending on the region (oak, walnut, elm, fruitwoods and sometimes mahogany), these pieces were carved with great artistry and skill, yet were made to be functional and long lasting. Though less exuberant than Louis XV and XVI design, French Provincial furniture exhibited a more serene and approachable splendor. \u003cbr\u003e\u003cbr\u003e Late 18th century \u003cbr\u003e\u003cbr\u003e 73\" wide x 30\" deep x 107 1\/2\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797120975170,"sku":null,"price":48500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/30-0232_1_e041a774-fc8d-47cb-b0c8-a339e23e81b0.png?v=1768060045"},{"product_id":"satinwood-and-wedgwood-plaque-side-table","title":"Satinwood and Wedgwood Plaque Side Table","description":"Exquisite craftsmanship in wood is coupled with the elegance of Wedgwood in this remarkable side table. Highly similar to one of French cabinetmaker Francois Linke's most enquired-after designs at the 1904 World's Fair in St. Louis, this outstanding piece features bronze gilding, which complements the luminous Ceylon satinwood. A beautiful white marble top harmonizes wonderfully with Wedgwood jasperware plaques adorning the frieze. \u003cbr\u003e\u003cbr\u003e Stamped \"F. LINKE\" \u003cbr\u003e\u003cbr\u003e Circa 1904 \u003cbr\u003e\u003cbr\u003e 17” wide x 12” deep x 28 3\/4” high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797126316354,"sku":null,"price":44850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/29-1034_1_b4ea2f9d-5b17-4d0c-89b0-b45a512cc9b3.png?v=1768060050"},{"product_id":"louis-xvi-style-giltwood-console-table","title":"Louis XVI-Style Giltwood Console Table","description":"Louis XVI-Style Table\u003cbr\u003e Circa 1870 \u003cbr\u003e\u003cbr\u003e A fine Louis XVI-style console table with a beautiful giltwood base and rouge marble top. The table’s four fully carved legs, resembling architectural columns, are typical of the Neoclassical taste, and are accented by a raised mask cartouche in the center. \u003cbr\u003e\u003cbr\u003e Based on the furniture and decor created during the reign of French King Louis XVI (1774-1789), the Louis XVI style experienced a revival in the 1860s in Europe and the eastern part of the United States. This revival reintroduced a formal classicism to furniture with an emphasis on simplicity, straight lines and symmetry. Slenderness of proportion was once again favored in furniture, as well as delicate classical motifs and understated luxury. Today, this elegant and timeless style remains highly prized. \u003cbr\u003e\u003cbr\u003e 35\" high x 45 1\/4\" wide x 21 1\/4\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797135360322,"sku":null,"price":44500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/32-2157_1.png?v=1768060055"},{"product_id":"nenuphars-table-by-louis-majorelle","title":"Nénuphars Table by Louis Majorelle","description":"\u003cem\u003eNénuphars\u003c\/em\u003e Table\u003cbr\u003e Louis Majorelle\u003cbr\u003e Circa 1900 \u003cbr\u003e\u003cbr\u003e This exceptional \u003cem\u003eNénuphars (Water Lilies)\u003c\/em\u003e table by Louis Majorelle embodies the lyrical expressiveness that defined the French Art Nouveau movement at the dawn of the twentieth century. Created circa 1900, it belongs to one of Majorelle’s most celebrated series, distinguished by its seamless integration of sculptural bronze and refined marquetry. Signed on the top and executed by the atelier that helped shape modern French design, the table reflects the sophistication of the École de Nancy at its height. \u003cbr\u003e\u003cbr\u003e The form is conceived as an interplay of graceful movement and botanical rhythm. The triangular top is inset with a composition of water lilies rendered in mahogany, rosewood, maple and ash burl marquetry, each veneer selected to emphasize the delicate texture of the bloom. Patinated bronze mounts emerge organically along the edge and legs, evoking leaves drifting across the surface of a pond. The tapering, slightly arched legs meet at a lower stretcher shaped as a lily pad, reinforcing the aquatic theme that anchors the \u003cem\u003eNénuphars\u003c\/em\u003e series. \u003cbr\u003e\u003cbr\u003e A central figure of the École de Nancy, Majorelle began his career as a painter before assuming leadership of his family’s workshop in 1879. His early work in eighteenth-century revival styles gave way, by the 1890s, to an Art Nouveau vocabulary defined by natural forms, innovative metalwork and sculptural wood construction. Acclaimed at the 1900 Paris Exposition, Majorelle became one of Europe’s most influential designers, though the loss of his archives and workshops during the First World War makes extant pieces of this caliber exceptionally scarce. \u003cbr\u003e\u003cbr\u003e Signed \"L Majorelle\" \u003cbr\u003e\u003cbr\u003e 33 7\/8\" high x 21 1\/2\" wide x 21 3\/8\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51797144797506,"sku":null,"price":44500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/32-1114_1.png?v=1768060059"}],"url":"https:\/\/www.bullvendors19.com\/es\/collections\/luxury-leather-collections.oembed","provider":"Bull Vendors 19","version":"1.0","type":"link"}