{"product_id":"portrait-of-a-gentleman-by-frans-hals","title":"Portrait of a Gentleman by Frans Hals","description":"Frans Hals\u003cbr\u003e 1582-1666 | Dutch \u003cbr\u003e\u003cbr\u003e Portrait of a Gentleman\u003cbr\u003e (possibly Theodore Blevet) \u003cbr\u003e\u003cbr\u003e Oil on panel \u003cbr\u003e\u003cbr\u003e \u003cem\u003e“Frans Hals is a colourist among the colourists...Frans Hals must have had twenty-seven blacks.” \u003c\/em\u003e \u003cbr\u003e -Vincent van Gogh writing of Frans Hals’ genius in a letter to his brother Theo\u003cbr\u003e Letter 536, 20 October 1885. \u003cbr\u003e\u003cbr\u003e This masterful and rare oil painting by Frans Hals is a quintessential portrait of the Dutch Golden Age. Painted circa 1630, this portrait is exemplary of Hals’ celebrated oeuvre and has been verified as an authentic work by the world’s foremost Hals scholars, including the former and current chief curators of the Frans Hals Museum. \u003cbr\u003e\u003cbr\u003e Calm, austere and decorous, the portrait depicts a man turning to meet the viewer's gaze. Wearing a dark cloak with a pleated white collar, the sitter holds a quill in his right hand – perhaps indicating his profession as a writer or calligrapher. The canvas is marked with an inscription that reads “He is 30 years old” in Latin. \u003cbr\u003e\u003cbr\u003e Imbued with a sense of genteel kindness, Hals renders the sitter’s expressive face with his signature bold, impressionistic brushwork, painting the sitter’s bone structure with a level of realism and precision that naturalistically captures his likeness along with a glimmer of his personality too. This composition also showcases Hals’ remarkable approach to color whilst working with the deceptively simple palettes of the era. In the Post-Reformation Calvinist society, Dutch elites stood at a delicate balance of boasting the fruits of the Dutch East India Company through both their attire and possessions, while also appearing moral and restrained. Thus, virtuosic painters like Frans Hals would render the dark, yet richly textured fabrics of his sitters with a certain air of inconspicuous luxury in an effort to simultaneously conceal and highlight the sitters’ great taste and wealth. Scholars surmise that this portrait of a black cloak and white collar-clad man likely captures calligrapher and schoolmaster Theodore Blevet, noting the sitter’s resemblance to an engraving of Blevet by Theodor Matham done after a lost 1640 portrait by Frans Hals. \u003cbr\u003e\u003cbr\u003e This portrait is an unequivocal triumph of Dutch Golden Age portraiture and an exemplary showpiece of Hals’ esteemed oeuvre. It perfectly showcases the technical acuity and emotional intelligence Hals brought to his works, underscoring his mastery over the medium of oil painting and the genre of portraiture.  \u003cbr\u003e\u003cbr\u003e Frans Hals’ works grace the walls of the most renowned museums in the world including the Rijksmuseum, the Louvre, the Metropolitan Museum of Art and Hals’ namesake museum in Haarlem in the Netherlands. Hals’ compositions are instantly recognizable by both art connoisseurs and casual museum-goers alike. Hals, Rembrandt and Vermeer are regarded as the crowning trifecta of painters of the Dutch Golden Age, with Hals specifically holding court as the leader in the realm of portraiture. Scholars today praise Hals as decisively ahead of his time, noting the groundbreaking sense of modernity in his 17th-century works. Hals’ triumphant ability with portraiture has been the subject of several seminal exhibitions mounted at institutions including the Metropolitan Museum of Art, The National Gallery of Art and The Wallace Collection. \u003cbr\u003e\u003cbr\u003e Circa 1630 \u003cbr\u003e\u003cbr\u003e Panel: 17 1\/2” high by 14 1\/4” wide\u003cbr\u003e Framed: 25 1\/2” high by 23 3\/8” wide by 2 3\/4\" deep \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_31-6867.pdf\" target=\"new\"\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e The Hague, Schilderkundig Genootschap Pulchri Studio, Catalogue de la Collection Goudstikker d'Amsterdam, November 1919, no. 50, illustrated, as Frans Hals\u003cbr\u003e Amsterdam, Maatschappij voor Beeldende Kunst, Catalogue de la Collection Goudstikker d'Amsterdam, 14 December 1919-4 January 1920, no. 28, illustrated, as Frans Hals\u003cbr\u003e Copenhaguen, Staaten's Museum for Konst, Collection Goudstikker  d'Amsterdam, January-February 1920, no. 24, illustrated, as Frans Hals\u003cbr\u003e Christiania [Oslo], Utstillet Christiania Kunstforening, Katalog over Goudstikkers Samling Amsterdam, April 1920, no. 24, illustrated, as Frans Hals\u003cbr\u003e St. Louis, City Art Museum, November 1922, no. 45, as Frans Hals\u003cbr\u003e Detroit, The Detroit Institute of Arts, January 1923, no. 2, as Frans Hals\u003cbr\u003e New York, The Anderson Galleries, March 1923, no. 48 as Frans Hals\u003cbr\u003e Rotterdam, Rotterdamsche Kunstkring, Catalogue de la Collection Goudstikker d'Amsterdam, 20 December 1924-11 January 1925, no. 30, as Frans Hals\u003cbr\u003e Utrecht, Centraal Museum, December 1925-January 1926, no. as Frans Hals1\u003cbr\u003e The Hague, Schilderkundig Genootschap Pulchri Studio, Catalogue de la Collection Goudstikker d'Amsterdam, 13 March-4 April 1926, no. 66, illustrated, as Frans Hals\u003cbr\u003e Rotterdam, Rotterdamsche Kunstkring, Catalogue de la Collection Goudstikker d'Amsterdam, 10-25 April 1926, no. 43, as Frans Hals\u003cbr\u003e Amsterdam, Rijksmuseum, Tentoonstelling van oude Kunst, 1929, no. 61, as Frans Hals\u003cbr\u003e Rotterdam, Rotterdamsche Kunstkring, Catalogus der Tentoonstelling van Schilderijen en Antiquiteiten geexposeerd door den Kunsthandel J Goudstikker NV., Amsterdam, 17 December 1936-10 January 1937, no. 26, illustrated, as Frans Hals\u003cbr\u003e Haarlem, Frans Hals Museum, Tentoonstelling van oude kunst in het Frans Halsmuseum, 4-26 April 1936, p. 17, no. 17, as Frans Hals\u003cbr\u003e Haarlem, Frans Hals Museum, Frans Hals tentoonstelling ter gelegenheid van het 75-jarig bestaan van het Gemeentelijk Museum Haarlem, 30 June 1937, no. 38, fig. 38, as Frans Hals \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e W.R. Valentiner, 'Frans Hals, des Meisters Gemalde', in Klassiker der Kunst, Stuttgart\/Berlin, 1921, p. 80, illustrated, p. 311 as Frans Hals\u003cbr\u003e W.R. Valentiner, 'Frans Hals, des Meisters Gemalde', in Klassiker der Kunst, Stuttgart\/Berlin, 1923, p. 83, illustrated, p. 312 as Frans Hals\u003cbr\u003e C. Grimm, Frans Hals and his Workshop, will be published in Autumn 2023, no. A3. 13, as Frans Hals \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Friedrich W.R.A. Lippmann, Berlin and London\u003cbr\u003e Jacques Goudstikker, Amsterdam by 1919\u003cbr\u003e Looted by the Nazi authorities in July 1940\u003cbr\u003e Recovered by the Allies in 1945\u003cbr\u003e In the custody of the Dutch Government\u003cbr\u003e Restituted to the heir of Jacques Goudstikker in February 2006\u003cbr\u003e Sale Christie's Amsterdam, 14 November 2007, lot 4\u003cbr\u003e Private Collection, USA\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":51803560935746,"sku":null,"price":4850000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/5376\/6978\/files\/31-6867_1_8ac36737-69eb-4293-aefc-16e46aff864d.png?v=1768102601","url":"https:\/\/www.bullvendors19.com\/products\/portrait-of-a-gentleman-by-frans-hals","provider":"Bull Vendors 19","version":"1.0","type":"link"}